Casey Jones, the King of the Iron Horse when the railroads ruled the land, gets polished to a hero's gleam in Drummond's rhymed telling of the stormy night he died. It was a hundred years ago that Casey pulled into the station aboard his Illinois 638, there to get the message from the company to point his train south to Memphis. As the train gets fired up to move through the wild, rain-lashed night, Drummond gives readers a vest-pocket history on the importance of the railroad in binding the nation together (and not incidentally in destroying the Native American way of life; be prepared to do some explaining to young readers here). Once out of town, Casey opens her up: "The train was full of people / from all down the line— / mothers and children / all asleep at the time— / and the milk and the mailbags / from all over the state, / and everyone knew they were / running late." Don't stop to quibble that Casey is being reckless by flying through the dark—“Casey Jones, / he'd never been late"—just be thankful that when he finally sees the flagman alerting him to a stalled freight train around the bend, he manages to save everybody aboard, except himself. You can hear the banjos pickin' in the background to Drummond's verse, which keeps the rhythm of the well-known folk song. His line-and-wash artwork is a transporting thing of beauty, mixing pages of multiple vignettes with double-paged spreads. Sometimes the text is handwritten; sometimes it's typed in the clouds. The variety adds to the bustle. An author's note explaining what little is known of the real Casey rounds out the book. "Wooo . . . oooh!" (Picture book. 5-7)
Pub Date: March 23, 2001
ISBN: 0-374-31175-7
Page Count: 32
Publisher: Frances Foster/Farrar, Straus & Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Kids will enjoy the quirky visuals while appreciating the creative relationship of these two companions.
Two friends strengthen their bond when their gardening project needs more ingenuity than originally anticipated.
Maxine, a science-oriented little White girl with a pet goldfish, loves to read and make constructive gadgets. Her friend Leo, a little Black boy, also likes making things, though from an artistic perspective. Together they decide to carefully design a garden. Maxine creates a practical blueprint while Leo draws a colorful diagram. Both plans allow them to plot, dig, and plant a beautiful and expansive space that includes a pond for Milton, Maxine’s pet fish. After their produce begins to sprout, however, some unwanted visitors slink in to ravage the fruits of all their hard work. Oh, no—now they need a new idea to keep those critters away. An average scarecrow doesn’t do the trick, so the kids get to work and build a “critter-creeping, laser-tripping, disco-ball-blinking, tuba-tooting… / SUPER SPECTACULAR SCARECROW!” But it only makes things worse by loudly disturbing everyone but their animal invaders. Initial disappointment and failure lead to blame and argument and then remorse and apologies. Both Maxine and Leo realize that “it takes a long time to grow a garden…but even longer to grow a friend.” Hatam offers kids lots of minutiae to look at, including clever endpapers with comical one-liners (“Thyme to Turnip the Beet”). Her detailed, animated, vibrant drawings accentuate the drama and neatly depict the concluding message that celebrates compromise. (This book was reviewed digitally with 9-by-17-inch double-page spreads viewed at 62.7% of actual size.)
Kids will enjoy the quirky visuals while appreciating the creative relationship of these two companions. (Picture book. 5-7)Pub Date: Feb. 16, 2021
ISBN: 978-0-399-18630-1
Page Count: 40
Publisher: Dial Books
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Stirring encouragement for all “little people” with “big dreams.” (Picture book/biography. 5-7)
“There’s nothing I can’t be,” young Maya thinks, and then shows, in this profile for newly independent readers, imported from Spain.
The inspirational message is conveyed through a fine skein of biographical details. It begins with her birth in St. Louis and the prejudice she experienced growing up in a small Arkansas town and closes with her reading of a poem “about her favorite thing: hope” at Bill Clinton’s presidential inauguration. In between, it mentions the (unspecified) “attack” by her mother’s boyfriend and subsequent elective muteness she experienced as a child, as well as some of the varied pursuits that preceded her eventual decision to become a writer. Kaiser goes on in a closing spread to recap Angelou’s life and career, with dates, beneath a quartet of portrait photos. Salaberria’s simple illustrations, filled with brown-skinned figures, are more idealized than photorealistic, but, though only in the cover image do they make direct contact with readers’, Angelou’s huge eyes are an effective focal point in each scene. The message is similar in the co-published Amelia Earhart, written by Ma Isabel Sánchez Vegara (and also translated by Pitt), but the pictures are more fanciful as illustrator Mariadiamantes endows the aviator with a mane of incandescent orange hair and sends her flying westward (in contradiction of the text and history) on her final around-the-world flight.
Stirring encouragement for all “little people” with “big dreams.” (Picture book/biography. 5-7)Pub Date: July 1, 2016
ISBN: 978-1-84780-889-9
Page Count: 32
Publisher: Frances Lincoln
Review Posted Online: May 13, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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