Drummond rolls along with another successful story of environmental change.
Pedal-power protests in the 1970s turned Amsterdam into “the capital city of cycling.”
Spurred on by activist mom Maartje Rutten and friends, a campaign to take back Amsterdam’s streets that began with festive, peaceful protests turned more serious when a bike-riding child was killed. With auto traffic banned on Sundays because of a fuel shortage, a dramatic mass ride through a cars-only tunnel seemed to turn the tide. New regulations including special bike lanes, traffic-calming constructions, and new right-of-way laws changed things in Amsterdam and all over the world. The author surrounds this simply told story with endpapers showing bicycle efficiency, bicycle contributions to social progress, great cyclists, and great bikes of the world. He includes statistics about bike-share programs and reasons for using bicycles to get around. As he did in other tales of community transformation, he decorates his text with cheerful pen-and-ink sketches with watercolor wash. Appropriately for the Netherlands, most of the people shown are white; Drummond correctly includes racially diverse cyclists and also provides a 1970s photograph in the author’s note showing a smiling rider of African descent. The note recalls his original goal: showing “how wonderful it feels to ride a bike, particularly in a city.” That joy is evident throughout; it might even convince some readers to give it a try.
Drummond rolls along with another successful story of environmental change. (bibliography) (Informational picture book. 5-9)Pub Date: March 28, 2017
ISBN: 978-0-374-30527-7
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 20, 2016
Kirkus Reviews Issue: Jan. 15, 2017
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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