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NEW STORIES FROM THE SOUTH

THE YEAR’S BEST, 2006

Altogether a delight to savor.

The spirit of play is at work in this lively latest crop of Southern stories gamely chosen by fiction-writer Gurganus (The Practical Heart, 2001, etc.), whose own work has appeared in the series.

Skillful vernacular storytelling and writing with heart mark many of these selections, such as R.T. Smith’s “Tastes Like Chicken,” which imagines the entrancing, albeit lonely livelihood of a snake-catcher whose wife eventually leaves him for a larger (and less menacing) life. Nanci Kincaid’s “The Currency of Love” depicts beautifully a prickly relationship between a mother hospitalized for a breast biopsy and her divorced daughter, while Daniel Wallace’s “Justice” hilariously evokes the biblical sacrifice of Isaac by his father Abraham in a story about a father’s decision to kill his son for taking the last tissue in the box. Two stories about dogs prove surprisingly moving: Wendell Berry’s “Mike” describes the transcendent convergence of a farmer, his land and his dog; and Mary Helen Stefaniak’s “You Love That Dog” tracks a troubled marriage through the husband’s decision to shoot his beloved dog because he keeps running away. Keith Lee Morris’s unusual “Tired Heart” is an elegiac sojourn from South Carolina to Puget Sound in the voice of a young married man hired to transport parcels for an anonymous, increasingly exacting employer. J.D. Chapman’s “Amanuensis” touchingly renders the inner life of a tubercular war vet in 1917 moved to a hospital in North Carolina, and Cary Holladay’s “The Burning” envisions the horrific fate of an 18th-century Virginia slave burned at the stake for the murder of her master. Gurganus maintains a buoyant mix of gravitas and levity, and in his tongue-in-cheek introduction, lists the kinds of stories with stock “Southerly” ingredients that he has spared the reader, i.e., those with arbitrary phonetic spelling, village interaction, impending gun violence, pan-generational sex, “plus a traffic-pile-up run-on-sentence construction lacking any Faulknerian suspension-bridge engineering.”

Altogether a delight to savor.

Pub Date: Aug. 25, 2006

ISBN: 1-56512-531-2

Page Count: 368

Publisher: Algonquin

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 15, 2006

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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