A witty, warm and wise look at the human condition in the digital age.


Goodman (Intuition, 2006, etc.) shows two sisters grappling with romantic, professional and moral quandaries at the height of the dotcom boom.

In the fall of 1999, Emily and Jess meet in Berkeley to celebrate Jess’s 23rd birthday—belatedly, because 28-year-old Emily is ten days away from the IPO of her data-storage company. Flaky philosophy grad student Jess is more interested in the sexy leader of Save the Trees than in buying shares of stock whose price, her sister assures her, “will go through the roof.” Across the continent in Cambridge, Mass., Emily’s boyfriend Jonathan, whose own startup encrypts web transactions, is confident that “we’re all going to be gazillionaires.” George is already rich, a “Microsoft millionaire” who used his fat dividends to launch Yorick’s Used and Rare Books, where Jess works part-time; he uneasily but longingly eyes his young employee, whose idealism challenges his middle-aged cynicism. Emily, though more practical than her sister, is also an idealist, horrified when one of her partners turns a data-monitoring program into an electronic surveillance system. When she makes the mistake of telling Jonathan about it, however, he’s not so scrupulous. Meanwhile, Jess helps George snag an astonishing collection of rare cookbooks, and dotcom stocks soar, then plummet as the bubble bursts in 2001. The formidably skilled and intelligent Goodman juggles multiple points of view to chronicle her characters’ intricate maneuvers for advantage and satisfaction; she even throws a pair of Bialystoker rabbis and some long-lost relations of Jess and Emily into the bustling plot. Frequently laugh-out-loud funny but always fundamentally serious, the novel takes a clear-eyed look at the competitive instinct and the profit motive as they clash with our equally strong need for love and connection. In the wake of 9/11 (whose aftermath is depicted with refreshing astringency), a wedding affirms the presence of joy without denying the reality of loss: “They held each other, although nothing stayed.”

A witty, warm and wise look at the human condition in the digital age.

Pub Date: July 6, 2010

ISBN: 978-0-385-34085-4

Page Count: 416

Publisher: Dial Books

Review Posted Online: June 2, 2010

Kirkus Reviews Issue: June 15, 2010

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A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.

Pub Date: Oct. 21, 1986

ISBN: 0553381547

Page Count: 686

Publisher: Houghton Mifflin

Review Posted Online: Oct. 30, 2013

Kirkus Reviews Issue: Sept. 15, 1986

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The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...


An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.

Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad.  The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized).  As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses).  Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture.  Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly.  One of the most impressive excursions into the supernatural in many a year.

Pub Date: March 6, 2000

ISBN: 0-375-70376-4

Page Count: 704

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2000

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