by Allegra Hyde ‧ RELEASE DATE: March 8, 2022
A sprawling debut with an urgent message about the danger of climate change that unfortunately gets lost in the clutter.
A young woman journeys to a remote island camp hailed as the solution for climate disaster.
In addition to the global environmental problem, 22-year-old Willa Marks has many problems of her own: Her paranoid parents died by joint suicide when she was 17, after which she was sent to Boston to live with her self-obsessed cousins. Yearning for a place to belong, Willa splits her time among her menial cafe job, the pseudo-anarchist Freegans, and Harvard sociologist Sylvia Gill, the mysterious woman who becomes her companion, then lover. After a nasty fight about how Sylvia isn't as committed to progressive causes as she claims to be, Willa locks herself in Sylvia's office and finds a copy of Living the Solution, a guidebook describing a place called Camp Hope, “humanity’s best shot for changing course” from its current track of climatological and general doom. Sparked with new purpose, Willa travels to the Bahamian island of Eleutheria, where Camp Hope is located. She discovers that everyone there can also disappoint her, from the icy crew members to mythlike leader Roy Adams, but she tries to remain committed to the cause. Will they achieve their ambitious goal of launching Camp Hope and saving the dying planet, or is it truly too late? The nonlinear narrative wends its way from the events of Willa’s past to her time at Camp Hope and after; sporadic flashbacks to Eleutheria’s founding bog things down further. The buildup of Sylvia and Willa’s complex relationship is well written, sure to please readers who love a good queer May-December romance, but the novel is too long on detail in many places and frustratingly short in others; the fraught relationship between the locals on Eleutheria and the crew members is hinted at but never fully fleshed out. Much of the novel’s momentum stalls in Willa’s long-winded, retrospective narration.
A sprawling debut with an urgent message about the danger of climate change that unfortunately gets lost in the clutter.Pub Date: March 8, 2022
ISBN: 978-0-593-31524-8
Page Count: 336
Publisher: Vintage
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
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by Richard Wright ‧ RELEASE DATE: April 20, 2021
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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by R.F. Kuang ‧ RELEASE DATE: May 16, 2023
A quick, biting critique of the publishing industry.
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What happens when a midlist author steals a manuscript and publishes it as her own?
June Hayward and Athena Liu went to Yale together, moved to D.C. after graduation, and are both writers, but the similarities end there. While June has had little success since publication and is struggling to write her second novel, Athena has become a darling of the publishing industry, much to June’s frustration. When Athena suddenly dies, June, almost accidentally, walks off with her latest manuscript, a novel about the World War I Chinese Labour Corps. June edits the novel and passes it off as her own, and no one seems the wiser, but once the novel becomes a smash success, cracks begin to form. When June faces social media accusations and staggering writer’s block, she can’t shake the feeling that someone knows the truth about what she’s done. This satirical take on racism and success in the publishing industry at times veers into the realm of the unbelievable, but, on the whole, witnessing June’s constant casual racism and flimsy justifications for her actions is somehow cathartic. Yes, publishing is like this; finally someone has written it out. At times, the novel feels so much like a social media feed that it’s impossible to stop reading—what new drama is waiting to unfold. and who will win out in the end? An incredibly meta novel, with commentary on everything from trade reviews to Twitter, the ultimate message is clear from the start, which can lead to a lack of nuance. Kuang, however, does manage to leave some questions unanswered: fodder, perhaps, for a new tweetstorm.
A quick, biting critique of the publishing industry.Pub Date: May 16, 2023
ISBN: 9780063250833
Page Count: 336
Publisher: Morrow/HarperCollins
Review Posted Online: Feb. 22, 2023
Kirkus Reviews Issue: March 15, 2023
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