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NIGHTFALL GARDENS

The beginning of a Harry Potter–esque series for those who prefer gross-out horror to magical whimsy.

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In Allen’s debut YA adventure, a brother and sister must survive the horrors of their mystical ancestral home and the haunted gardens that surround it.

Lily Blackwood and her brother, Silas, live a transient life as actors in their family’s low-budget stage show, an awkward steppingstone that Lily believes will one day lead her to fame and the adoration of crowds. Lily’s dreams crumble when her uncle Jonquil, a mysterious, rough-looking man draped in a wolf fur, kidnaps her and her brother and delivers them to their family’s original home—the otherworldly Nightfall Gardens—a preternatural land where creatures of myths and fairy tales are both real and deadly. It’s Lily’s birthright and curse to become the new matriarch of this estate, to guard and maintain it, and to keep the darkness of the gardens contained. While she is quarantined inside the house, timid Silas is sent into the gardens as the mystical groundskeeper’s new assistant. The knowledge he gains among the arboreal evil, when combined with his sister’s defiant ambition for a life beyond Nightfall’s gates, leaves the children poised to challenge the dark fate that has descended upon them. Allen’s novel starts swiftly, bringing Lily and Silas into the spectacle and danger of Nightfall as quickly as possible, then the pace slows to a pleasant amble to adequately highlight each gruesome experience. The novel thrives when depicting the bizarre and dangerous: cocoon-sleeping slug women; mummy butlers that are falling apart; vengeful corpse eaters; and even the heroes’ closest ally, a green-skinned tomboy. Still, with so much focus on frightening imagery, the novel doesn’t build much suspense, leaning more toward the gross than the scary. This is not necessarily a flaw. Many YA novels aren’t looking to utterly terrify their readers, and intriguing mysteries and foreshadowed threats for the Blackwood children in the second volume easily offset any flagging tension.

The beginning of a Harry Potter–esque series for those who prefer gross-out horror to magical whimsy.

Pub Date: May 10, 2013

ISBN: 978-0615804453

Page Count: 248

Publisher: Flycatcher Books

Review Posted Online: Dec. 30, 2013

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HOW TO MAKE AN APPLE PIE AND SEE THE WORLD

What if the market was closed when you wanted to bake a pie? You could embark for Europe, learn Italian en route, and pick up some semolina wheat in Italy, an egg in France, kurundu bark for cinnamon in Sri Lanka, and an entire cow in England (butter) before coming home via Jamaica (sugar) and Vermont (apples). The expertly designed illustrations in which a dark-haired lass journeys by various means to these interesting places to get her groceries are lovely and lively, and the narrative, too, travels at a spritely pace. The journey is neither quite logical enough to be truly informative nor quite bizarre enough to be satisfyingly silly, while the rich, sweet recipe that's appended will take some adult assistance. Still, fun. (Picture book. 4-8)

Pub Date: May 2, 1994

ISBN: 0-679-83705-1

Page Count: 32

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1994

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BECAUSE I HAD A TEACHER

A sweet, soft conversation starter and a charming gift.

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A paean to teachers and their surrogates everywhere.

This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.

A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)

Pub Date: March 1, 2017

ISBN: 978-1-943200-08-5

Page Count: 32

Publisher: Compendium

Review Posted Online: Dec. 13, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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