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IN A DARK WOOD

THE FIGHT OVER FORESTS AND THE RISING TYRANNY OF ECOLOGY

Environmental bad boy Chase (Playing God in Yellowstone, 1986, etc.) takes on biocentrism and the Endangered Species Act in this delightfully angry if at times snide volume. Pretty much from the word go, this country's responses to the environmental needs of the land have been inadequate, suggests Chase, but the currently voguish notion of ``ecosystems'' is egregious in the extreme. He traces the roots of this concept back to its holistic/monistic source: It reflects the long line of thinking from ``Puritans longing for salvation through intimacy with God in nature'' right up to the preservationists' notion of nature as self-regulator (a particular bugbear of Chase's). Quaint ideas, scolds the author, unscientific and full of gaping holes. Nature is everywhere in flux; our yearning to return to presettlement conditions shows us up as ``self-interested primitivists infatuated with the aesthetic features of climax communities.'' Our desire to protect threatened creatures via the Endangered Species Act is an absurd ``mandate to stop evolution.'' Nature chooses no favorites, extinctions are inevitable, so why ``set aside for a Disneyesque menagerie of obscure life forms'' entire regions of the US?particularly in the Pacific Northwest, where the fight to save old-growth forests serves as the book's framework. Though diatribe is Chase's forte, he's willing to put himself on the line with some recommendations for those involved in the environmental issue: Embrace change, work in concert rather than as adversaries, remember that humans too are an element in the landscape (and their works often very pleasing), and understand that the diversity of landscapes demands differing environmental strategies to reflect not just the land but the variegated interests of a heterogeneous society. Not for everyone this bitter medicine, devoid as it is of mystery and charm, but it is fascinating reading, impeccably researched, and powerful in that Chase is clearly a friend of the Earth, not another glad-tider or apologist. (Author tour)

Pub Date: Oct. 27, 1995

ISBN: 0-395-60837-6

Page Count: 320

Publisher: Houghton Mifflin

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 1995

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A FIRE STORY

Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.

A new life and book arise from the ashes of a devastating California wildfire.

These days, it seems the fires will never end. They wreaked destruction over central California in the latter months of 2018, dominating headlines for weeks, barely a year after Fies (Whatever Happened to the World of Tomorrow?, 2009) lost nearly everything to the fires that raged through Northern California. The result is a vividly journalistic graphic narrative of resilience in the face of tragedy, an account of recent history that seems timely as ever. “A two-story house full of our lives was a two-foot heap of dead smoking ash,” writes the author about his first return to survey the damage. The matter-of-fact tone of the reportage makes some of the flights of creative imagination seem more extraordinary—particularly a nihilistic, two-page centerpiece of a psychological solar system in which “the fire is our black hole,” and “some veer too near and are drawn into despair, depression, divorce, even suicide,” while “others are gravitationally flung entirely out of our solar system to other cities or states, and never seen again.” Yet the stories that dominate the narrative are those of the survivors, who were part of the community and would be part of whatever community would be built to take its place across the charred landscape. Interspersed with the author’s own account are those from others, many retirees, some suffering from physical or mental afflictions. Each is rendered in a couple pages of text except one from a fellow cartoonist, who draws his own. The project began with an online comic when Fies did the only thing he could as his life was reduced to ash and rubble. More than 3 million readers saw it; this expanded version will hopefully extend its reach.

Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.

Pub Date: March 5, 2019

ISBN: 978-1-4197-3585-1

Page Count: 160

Publisher: Abrams ComicArts

Review Posted Online: Nov. 25, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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H IS FOR HAWK

Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a...

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Our Verdict

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    Best Books Of 2015


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  • New York Times Bestseller


  • National Book Critics Circle Finalist

An inspired, beautiful and absorbing account of a woman battling grief—with a goshawk.

Following the sudden death of her father, Macdonald (History and Philosophy/Cambridge Univ.; Falcon, 2006, etc.) tried staving off deep depression with a unique form of personal therapy: the purchase and training of an English goshawk, which she named Mabel. Although a trained falconer, the author chose a raptor both unfamiliar and unpredictable, a creature of mad confidence that became a means of working against madness. “The hawk was everything I wanted to be: solitary, self-possessed, free from grief, and numb to the hurts of human life,” she writes. As a devotee of birds of prey since girlhood, Macdonald knew the legends and the literature, particularly the cautionary example of The Once and Future King author T.H. White, whose 1951 book The Goshawk details his own painful battle to master his title subject. Macdonald dramatically parallels her own story with White’s, achieving a remarkable imaginative sympathy with the writer, a lonely, tormented homosexual fighting his own sadomasochistic demons. Even as she was learning from White’s mistakes, she found herself very much in his shoes, watching her life fall apart as the painfully slow bonding process with Mabel took over. Just how much do animals and humans have in common? The more Macdonald got to know her, the more Mabel confounded her notions about what the species was supposed to represent. Is a hawk a symbol of might or independence, or is that just our attempt to remake the animal world in our own image? Writing with breathless urgency that only rarely skirts the melodramatic, Macdonald broadens her scope well beyond herself to focus on the antagonism between people and the environment.

Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a classic in either genre.

Pub Date: March 3, 2015

ISBN: 978-0802123411

Page Count: 288

Publisher: Grove

Review Posted Online: Nov. 3, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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