Comparisons to Judy Blume's Deenie (1973) might be inevitable, but Rachel stands admirably on her own.

BRACED

Both the literal and figurative senses of the word "spine" form the backbone of Gerber's debut.

The same day white seventh-grader Rachel Brooks starts in an important soccer game, she learns that her scoliosis has worsened, and she now needs to wear a brace for 23 hours a day. The author, who wore a brace herself, vividly conveys its constricting bulk. But her spine isn't the only curve Rachel has to brace herself for. Her mother, whose own scoliosis required a spinal fusion, is rigid and unsympathetic as the brace affects Rachel's soccer technique and jeopardizes her place on the team. Her classmates gossip, and though her friends and crush are generally supportive, the author nails their realistic discomfort at being bullied by association. Ultimately, her friends help her to adjust, and Rachel learns to assert herself. As Rachel grows a spine, her mother learns to bend, sympathetically revealing the fears she never addressed during her own treatment. Their disparate experiences give scoliosis—and their relationship—nuance as well as tension. The author doesn't diminish Rachel's difficulties, but at heart her story is uplifting; a brace can be a "built-in drum" to dance to. An author's note provides a short list of scoliosis resources.

Comparisons to Judy Blume's Deenie (1973) might be inevitable, but Rachel stands admirably on her own. (Fiction. 11-14)

Pub Date: March 28, 2017

ISBN: 978-0-545-90214-4

Page Count: 304

Publisher: Levine/Scholastic

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

Did you like this book?

No Comments Yet

Narrow squeaks aplenty combine with bursts of lyrical prose for a satisfying adventure

THE GOOD THIEVES

A Prohibition-era child enlists a gifted pickpocket and a pair of budding circus performers in a clever ruse to save her ancestral home from being stolen by developers.

Rundell sets her iron-jawed protagonist on a seemingly impossible quest: to break into the ramshackle Hudson River castle from which her grieving grandfather has been abruptly evicted by unscrupulous con man Victor Sorrotore and recover a fabulously valuable hidden emerald. Laying out an elaborate scheme in a notebook that itself turns out to be an integral part of the ensuing caper, Vita, only slowed by a bout with polio years before, enlists a team of helpers. Silk, a light-fingered orphan, aspiring aerialist Samuel Kawadza, and Arkady, a Russian lad with a remarkable affinity for and with animals, all join her in a series of expeditions, mostly nocturnal, through and under Manhattan. The city never comes to life the way the human characters do (Vita, for instance, “had six kinds of smile, and five of them were real”) but often does have a tangible presence, and notwithstanding Vita’s encounter with a (rather anachronistically styled) “Latina” librarian, period attitudes toward race and class are convincingly drawn. Vita, Silk, and Arkady all present white; Samuel, a Shona immigrant from Southern Rhodesia, is the only primary character of color. Santoso’s vignettes of, mostly, animals and small items add occasional visual grace notes.

Narrow squeaks aplenty combine with bursts of lyrical prose for a satisfying adventure . (Historical fiction. 11-13)

Pub Date: Aug. 27, 2019

ISBN: 978-1-4814-1948-2

Page Count: 272

Publisher: Simon & Schuster

Review Posted Online: May 26, 2019

Kirkus Reviews Issue: June 15, 2019

Did you like this book?

No Comments Yet

Rich, complex, and confidently voiced.

THE LINE TENDER

Lucy finds solace in her late mother’s passion for shark biology during a summer that brings a new grief.

First-person narrator Lucy and neighbor Fred are compiling a field guide to animals they find near their Rockport, Massachusetts, home. Lucy is the artist, Fred the scientist, and their lifelong friendship is only just hinting that it could become something more. Lucy’s mother, who died of a brain aneurysm when Lucy was 7, five years earlier in 1991, was a recognized shark biologist; her father is a police diver. When a great white is snagged by a local fisherman—a family friend—video footage of an interview with Lucy’s mother surfaces on the news, and Lucy longs to know more. But then another loved one dies, drowned in a quarry accident, and it is Lucy’s father who recovers the body—in their small community it seems everyone is grappling with the pain. Lucy’s persistence in learning about the anatomy of sharks in order to draw them is a kind of homage to those she’s lost. Most of the characters are white; a marine scientist woman of color and protégée of Lucy’s mother plays a key role. Allen offers, through Lucy’s voice, a look at the intersection of art, science, friendship, and love in a way that is impressively nuanced and realistic while offering the reassurance of connection.

Rich, complex, and confidently voiced. (Historical fiction. 11-14)

Pub Date: April 16, 2019

ISBN: 978-0-7352-3160-3

Page Count: 384

Publisher: Dutton

Review Posted Online: Dec. 22, 2018

Kirkus Reviews Issue: Jan. 15, 2019

Did you like this book?

more