A first novel that spins its wheels in the rut of 1990s New York City club life and never manages to get on track. Salty, a tough, cranky 23-year-old, has a devastating crush on her womanizing apartment mate, Minty. The two have lived together since the age of five, when Minty's parents (who were Salty's parents' best friends) took Salty in after hers were killed in a plane crash. Now that they are grown up and have their own Upper East Side apartment, Salty fears that beguiling Minty will always view her as a sibling. She obsesses about him, follows him to loud bars she hates, and, through tears, watches him date a string of mindless tarts. When she finally confesses her love, he reciprocates; he dumps the other women and moves Salty into his bedroom. Meanwhile, their careers soar. Salty, a budding actress with only commercial credits, lands a part on a soap opera. Minty, co-owner of a successful new restaurant, The Marzipan Pigeon, is sought after for his pigeon paintings, which adorn the restaurant's walls. A sleazy art dealer befriends him, arranges a gallery opening, and lures Minty into his glitzy circle. The plot alternately stalls and repeats itself for the rest of the book: Minty loves the downtown scene and wants to stay out late at Nell's with models draped on his arm. Salty, upset by the drugs and insincerity of his arena, chain-smokes, curses, and wishes that things were back to normal with Minty. Often the characters speak in the same voices, using expletives for emphasis rather than descriptive words; at other times their actions are unaccountable. The book is at its best not when it is exposing the shallow and tedious world of club denizens, but when it offers a lighthearted glimpse of soap-opera life. Underdeveloped, unsympathetic characters and repetitiveness make this wearing.
Pub Date: June 1, 1994
ISBN: 0-671-86889-6
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1994
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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