Nimbly tackles dual genres in a tale that will appeal to fans of any age.

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Jane's Affliction: A Novel

From the Jane's Affliction series , Vol. 1

Realizing her recurrent visions are just one of her supernatural abilities, a teen falls in love with a ghost and finds herself the target of a sinister presence in Kerr’s (Magnetic, 2015, etc.) paranormal romance.

When a neighbor reports that 17-year-old Jane Anderson is often home alone, social services puts the Texan girl on a train to live with distant relatives in Hartford, Connecticut. Escaping an abusive, neglectful mother, Jane is initially wary of Dean and Joanna Rochester. But as she grows to trust her surrogate family, she’s disturbed by the fixer-upper that will soon be the Rochesters’ new home, which she had already seen in her dreams. The teenager’s frequent visions and lucid dreams have likewise predated her running into handsome blond Will in the nearby woods. The same-aged boy, as well as younger Nadine, Ethan, and Emmett, stayed at the house back when it was an orphanage—during the Great Depression. They’re benevolent ghosts with whom Jane, unlike other humans, can make physical contact. That’s good news for Jane and Will, who quickly fall in love and surrender to mutual lust. Unfortunately, there’s another persistent spirit, homicidal rapist Frank Sullivan, who, along with wife Pearl, tortured and murdered the children. Frank possesses humans to assault Jane, until he realizes he need not “borrow a body” to get his grubby hands on her. The novel is an impressive blend of romance and tension. Jane bounces back and forth between affection for Will and anxiety over her inevitable confrontation with Frank. Jane confides in Dean, her honorary stepfather, who suggests Jane hone her gifts. Despite Frank’s reprehensible deeds, Kerr avoids lingering on violence, and though Jane and Will can touch, sex scenes concentrate on emotional “fireworks” and “breathless bliss” over bodies intermingling. Hints of secrets in Jane’s lineage and her untapped potential set the groundwork for another book.

Nimbly tackles dual genres in a tale that will appeal to fans of any age.

Pub Date: Jan. 30, 2015

ISBN: 978-1-5061-5167-0

Page Count: 378

Publisher: CreateSpace

Review Posted Online: Feb. 29, 2016

Kirkus Reviews Issue: April 1, 2016

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King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.

THE INSTITUTE

The master of modern horror returns with a loose-knit parapsychological thriller that touches on territory previously explored in Firestarter and Carrie.

Tim Jamieson is a man emphatically not in a hurry. As King’s (The Outsider, 2018, etc.) latest opens, he’s bargaining with a flight attendant to sell his seat on an overbooked run from Tampa to New York. His pockets full, he sticks out his thumb and winds up in the backwater South Carolina town of DuPray (should we hear echoes of “pray”? Or “depraved”?). Turns out he’s a decorated cop, good at his job and at reading others (“You ought to go see Doc Roper,” he tells a local. “There are pills that will brighten your attitude”). Shift the scene to Minneapolis, where young Luke Ellis, precociously brilliant, has been kidnapped by a crack extraction team, his parents brutally murdered so that it looks as if he did it. Luke is spirited off to Maine—this is King, so it’s got to be Maine—and a secret shadow-government lab where similarly conscripted paranormally blessed kids, psychokinetic and telepathic, are made to endure the Skinnerian pain-and-reward methods of the evil Mrs. Sigsby. How to bring the stories of Tim and Luke together? King has never minded detours into the unlikely, but for this one, disbelief must be extra-willingly suspended. In the end, their forces joined, the two and their redneck allies battle the sophisticated secret agents of The Institute in a bloodbath of flying bullets and beams of mental energy (“You’re in the south now, Annie had told these gunned-up interlopers. She had an idea they were about to find out just how true that was"). It’s not King at his best, but he plays on current themes of conspiracy theory, child abuse, the occult, and Deep State malevolence while getting in digs at the current occupant of the White House, to say nothing of shadowy evil masterminds with lisps.

King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.

Pub Date: Sept. 10, 2019

ISBN: 978-1-9821-1056-7

Page Count: 576

Publisher: Scribner

Review Posted Online: Aug. 4, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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Not his best, but a spooky pleasure for King’s boundless legion of fans.

THE OUTSIDER

Horrormeister King (End of Watch, 2016, etc.) serves up a juicy tale that plays at the forefront of our current phobias, setting a police procedural among the creepiest depths of the supernatural.

If you’re a little squeamish about worms, you’re really not going to like them after accompanying King through his latest bit of mayhem. Early on, Ralph Anderson, a detective in the leafy Midwestern burg of Flint City, is forced to take on the unpleasant task of busting Terry Maitland, a popular teacher and Little League coach and solid citizen, after evidence links him to the most unpleasant violation and then murder of a young boy: “His throat was just gone,” says the man who found the body. “Nothing there but a red hole. His bluejeans and underpants were pulled down to his ankles, and I saw something….” Maitland protests his innocence, even as DNA points the way toward an open-and-shut case, all the way up to the point where he leaves the stage—and it doesn’t help Anderson’s world-weariness when the evil doesn’t stop once Terry’s in the ground. Natch, there’s a malevolent presence abroad, one that, after taking a few hundred pages to ferret out, will remind readers of King’s early novel It. Snakes, guns, metempsychosis, gangbangers, possessed cops, side tours to jerkwater Texas towns, all figure in King’s concoction, a bloodily Dantean denunciation of pedophilia. King skillfully works in references to current events (Black Lives Matter) and long-standing memes (getting plowed into by a runaway car), and he’s at his best, as always, when he’s painting a portrait worthy of Brueghel of the ordinary gone awry: “June Gibson happened to be the woman who had made the lasagna Arlene Peterson dumped over her head before suffering her heart attack.” Indeed, but overturned lasagna pales in messiness compared to when the evil entity’s head caves in “as if it had been made of papier-mâché rather than bone.” And then there are those worms. Yuck.

Not his best, but a spooky pleasure for King’s boundless legion of fans.

Pub Date: May 22, 2018

ISBN: 978-1-5011-8098-9

Page Count: 576

Publisher: Scribner

Review Posted Online: March 5, 2018

Kirkus Reviews Issue: March 15, 2018

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