Frightful and delightful: a comforting (to some, anyway) reminder that no one sleeps alone.
In a tardy prequel to I Need My Monster (2009), candidates for that coveted spot under the bed audition.
As the distressingly unflappable young narrator looks on, one monster after another gives it a go—but even with three mouths, the best roar Genghis can manage is a puny “blurp!”, silly shadow puppets by shaggy Morgan elicit only a sneeze, and red Abigail’s attempt to startle by hiding in the fridge merely leaves her shivering and pathetic. Fortunately, there’s Gabe, who knows just how to turn big and hairy while lurking outside the bathroom and whose red-eyed stare and gross drooling sends the lad scrambling into bed to save his toes. “Kid, I think this is the beginning of a beautiful friendship,” the toothy terror growls. Right he is, the lad concludes, snuggling down beneath the covers: “His snorts and ooze were perfect.” As usual, the white-presenting child’s big, bright, smiling face and the assortment of bumbling monsters rendered in oversaturated hues keep any actual scariness at tentacle’s length. Moreover, Monster, Inc. fans will delight in McWilliam’s painstaking details of fang, claw, hair, and scales.
Frightful and delightful: a comforting (to some, anyway) reminder that no one sleeps alone. (Picture book. 5-8)Pub Date: Nov. 1, 2019
ISBN: 978-1-947277-09-0
Page Count: 32
Publisher: Flashlight Press
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
Returning fans will be happy to see their friends, but this outing's unlikely to win them new ones.
In the second installment of the Binder of Doom series, readers will reconnect with Alexander Bopp, who leads the Super Secret Monster Patrol, a group of mutant children who protect the citizens of their beloved town of Stermont.
His friends Nikki and Rip rejoin him to add new monsters and adventures to their ever growing binder of monsters. As in series opener Brute-Cake (2019), Alexander and his friends attend the local library’s summer program, this time for “maker-camp.” They are assigned a Maker Challenge, in which each camper is to “make a machine that performs a helpful task”; meanwhile, mechanical equipment is being stolen all over Stermont. Unfortunately, the pacing and focus of the book hop all over the place. The titular boa constructor (a two-headed maker-minded snake and the culprit behind the thefts) is but one of many monsters introduced here, appearing more than two-thirds of the way through the story—just after the Machine Share-Time concludes the maker-camp plotline. (Rip’s “most dangerous” invention does come in handy at the climax.) The grayscale illustrations add visuals that will keep early readers engaged despite the erratic storyline; they depict Alexander with dark skin and puffy hair and Nikki and Rip with light skin. Monster trading cards are interleaved with the story.
Returning fans will be happy to see their friends, but this outing's unlikely to win them new ones. (Paranormal adventure. 6-8)Pub Date: Sept. 3, 2019
ISBN: 978-1-338-31469-4
Page Count: 96
Publisher: Scholastic
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
Gives “friend” a disquieting nuance.
On the spur of the moment, anyone can make a mistake.
In a twist on Eric Carle’s classic Do You Want to Be My Friend? (1971) and the many like-themed quests trailing in its wake, a suddenly friendless yellow monster makes the titular confession, mourns, and then goes in search of a new companion. Following a string of refusals that range from “No, you are too big,” and “No, you are too scary” (not to mention a terse “No”) to a terrifying, page filling “Rrrooar!” the monster begins to lose heart. Will it be lonely forever? But, no fears, a suitable (teal) candidate sidles up at last: “Hello! I will be your friend.” Cue the warm smiles and clasped paws…until a page turn reveals only the new arrival, guiltily admitting, “I just ate my friend.” Arranged in simple compositions and positioned for maximum comic effect, McKinnon’s monsters don’t look at all feral (although the protagonist does have a mouthful of sharp teeth, they are very tiny, commanding much less attention than its large, googly eyes and potato-shaped body), so the summary fate of the yellow one may come as a surprise (at least the first time through) to audiences who expect a more-conventional ending. Readers who prefer their comedy on the dark side à la Jon Klassen’s I Want My Hat Back (2011) or Jeanne Willis and Tony Ross’ Tadpole’s Promise (2005) will relish this alternative outcome.
Gives “friend” a disquieting nuance. (Picture book. 5-7)Pub Date: June 26, 2018
ISBN: 978-1-5344-1032-9
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: Feb. 18, 2018
Kirkus Reviews Issue: March 1, 2018
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