Quiet yet thought-provoking.

I LOVE I HATE I MISS MY SISTER

A teen grapples with both her own identity and the role identity played in her sister’s death in this French import.

It’s been one year since Muslim Sohane’s younger sister, Djelila, was burned alive by religious extremists in their apartment building in the projects. She recounts the incidents leading up to Djelila’s death, using present tense to place readers directly in the scenes and past tense as she recalls what happened from her current state of grief. Sohane and Djelila remain fierce allies, but Sohane questioningly (and sometimes jealously) notices that her sister has started to break away from their family’s Muslim traditions by sporting tight clothes and drinking alcohol. She, on the other hand, explores her religious and feminist beliefs (“Is it possible to be a woman and Muslim at the same time?”) by wearing the hijab. Both sisters’ actions are noticed immediately. Djelila becomes a source of contempt by a Taliban-like gang, while Sohane is expelled from high school for wearing a headscarf thanks to a French law that requires strict separation of church and state. The story, based on actual events, never becomes a question of whether Sohane should wear her headscarf but ruminates on how young people cope with being siblings, second-generation immigrants, feminists and believers. Rather than overwhelming the narration, these themes twine together powerfully.

Quiet yet thought-provoking. (glossary, author’s note) (Fiction. 14-18)

Pub Date: Aug. 5, 2014

ISBN: 978-0-385-74376-1

Page Count: 160

Publisher: Delacorte

Review Posted Online: May 19, 2014

Kirkus Reviews Issue: June 1, 2014

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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Immersive and engaging, despite some flaws, and destined to capture imaginations.

CARAVAL

From the Caraval series , Vol. 1

Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 19, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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