Quiet yet thought-provoking.

I LOVE I HATE I MISS MY SISTER

A teen grapples with both her own identity and the role identity played in her sister’s death in this French import.

It’s been one year since Muslim Sohane’s younger sister, Djelila, was burned alive by religious extremists in their apartment building in the projects. She recounts the incidents leading up to Djelila’s death, using present tense to place readers directly in the scenes and past tense as she recalls what happened from her current state of grief. Sohane and Djelila remain fierce allies, but Sohane questioningly (and sometimes jealously) notices that her sister has started to break away from their family’s Muslim traditions by sporting tight clothes and drinking alcohol. She, on the other hand, explores her religious and feminist beliefs (“Is it possible to be a woman and Muslim at the same time?”) by wearing the hijab. Both sisters’ actions are noticed immediately. Djelila becomes a source of contempt by a Taliban-like gang, while Sohane is expelled from high school for wearing a headscarf thanks to a French law that requires strict separation of church and state. The story, based on actual events, never becomes a question of whether Sohane should wear her headscarf but ruminates on how young people cope with being siblings, second-generation immigrants, feminists and believers. Rather than overwhelming the narration, these themes twine together powerfully.

Quiet yet thought-provoking. (glossary, author’s note) (Fiction. 14-18)

Pub Date: Aug. 5, 2014

ISBN: 978-0-385-74376-1

Page Count: 160

Publisher: Delacorte

Review Posted Online: May 19, 2014

Kirkus Reviews Issue: June 1, 2014

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A worthy successor to an explosive debut.

BLOODMARKED

From the Legendborn series , Vol. 2

After Awakening the dormant spirit of her ancestor King Arthur Pendragon, almost-17-year-old Briana Matthews must fight to learn and control her magical inheritances.

As a Black person who also possesses the ability to use Root, a form of magic borrowed from deceased practitioners and passed down to her through her mother’s family, Bree is unique in the Line of Pendragon. It is through blood and violence that Bree’s magical abilities intertwined—both those from Arthur’s Welsh origins and from her family’s Bloodcraft originating during chattel slavery in the American South. Together they have turned her into one of the most powerful people either Line has ever known. The intricacies of her navigation of her new powers are at the heart of this sequel to Legendborn (2020), especially as Bree balances the knowledge that her Blackness creates a critical distance between her and the racist people she is sworn to protect as the king of all Legendborns. The plot is complex, and the morsels of information that help fill in the gaps of knowledge don’t always feel fully formed, which may leave readers confused as they try to keep up with the new powers and beings that are presented. Still, there are important, if hard to read, references, for example, when Bree is kidnapped and experimented on by an all-White council, a turn of events that reflects Deonn’s commitment to presenting unflinching truths about the cyclical insidiousness of racism.

A worthy successor to an explosive debut. (Fantasy. 14-18)

Pub Date: Nov. 8, 2022

ISBN: 978-1-5344-4163-7

Page Count: 640

Publisher: Simon & Schuster

Review Posted Online: Aug. 31, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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