An innovative but uneven spiritual tale.
In this debut novel, an emperor establishes a clandestine order to protect and disseminate spiritual secrets that predate the birth of Jesus.
Aram is a nomadic trader traveling through ancient Syria. Isha, his caravan’s leader, encourages him to seek out the spiritual counsel of Murduk, a “silent observer of the universe,” who paradoxically turns out to be uncommonly garrulous and eager to impart his wisdom. Murduk shares with Aram a combination of cosmological and moral teachings, the former vaguely reminiscent of Christian eschatology. Apparently, the “ancient engineers of our species” have left instructions for their return, “when time and space interact in such a way as to open the stargate again.” In addition, there will a decisive battle between the forces of good and evil, which will “drive the planet into an obscure tunnel of death and devastation.” Aram is shown how to interpret the signs—the novel is filled with diagrams that illustrate the messages—and is given an amulet that contains a hexagram within a circle apparently encrypted with spiritual knowledge. The bulk of this tale is devoted to the aftermath of Aram’s spiritual enlightenment—he becomes a great prophet, and his legacy is continued by powerful men like Roman Emperor Traianus. Emperor Constantine eventually founds the Constantine Order devoted to the perpetuation of Aram’s work, and its illustrious membership includes Attila the Hun and Leonardo da Vinci. Consta makes this order the prime mover of world history—the Crusades, the Egyptian pyramids, and King Solomon’s Temple can all be linked to the group.
The tantalizingly inventive aspect of the author’s tale is the possibility of an “inner core” of “prophetic symbols received by the prophet Aram” thousands of years before the births of Jesus and Allah. But the ambitious expanse of history covered here has a price—Consta doesn’t create authentic characters. This isn’t really a novel in the usual sense of the term but an intricate history—it reads much more like an attempt to compose scripture than a literary production. This gives the entire work a ponderous feel, and the prose only reinforces that effect. The author’s writing is often densely packed and bewilderingly vague. The passages meant to elucidate the nature of the prophetic teachings are the most turgid: “Supreme Master, created from the same blood of Aram and the eternal perseverance and persistence of the crossed axis of the celestial globe and the sacred, unified will and wisdom of God, which humbly point us to the sacred points of the lights designated from our creators, ascend to the top of this temple and point us with the sacred sword to the right Blazing Star.” While Consta’s work is reminiscent of Dan Brown’s The Da Vinci Code, it fails to fully develop the intriguing novelistic elements of the story.
An innovative but uneven spiritual tale.Pub Date: Dec. 9, 2019
ISBN: 978-1-08-656829-5
Page Count: 275
Publisher: Self
Review Posted Online: Jan. 4, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.
It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.Pub Date: Oct. 18, 2022
ISBN: 978-0-06-325-1922
Page Count: 560
Publisher: Harper/HarperCollins
Review Posted Online: July 13, 2022
Kirkus Reviews Issue: Aug. 1, 2022
SEEN & HEARD
PERSPECTIVES
SEEN & HEARD
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