An action-packed thrill ride and stellar head trip.
Continuing Illuminae’s (2015) story, Kaufman and Kristoff explore what went down on Jump Station Heimdall while the spaceship Hypatia was trying to get there.
This time around, the found-footage–style collage narration (instant messages, radio conversations, video transcripts, diary pages, and the like) is framed as evidence at a tribunal investigating the activities of BeiTech Industries. The station commander’s white teenage daughter, Hanna, and her white drug dealer, Nik, avoid death and capture when a multiracial commando team of BeiTech “auditors” board Heimdall to take over its wormhole (which badly needs maintenance) for a BeiTech drone assault fleet sent to eliminate Kerenza’s witnesses. With lots of sneaking, combat, quick thinking, and the crucial help of Nik’s younger cousin Ella (a quippy, brilliant hacker disabled by a space plague she barely survived), they throw everything they have against their better-armed and -trained assailants. But the drug operation relies on mind-eating, multiheaded, predatory parasites with psychoactive venom, and with the cartel out of action, the carefully tended newborns get loose on the station, and are they ever hungry! Tension snowballs with each new small complication, resulting in a read harder to put down with each page. Despite superficial similarities (protagonists and formatting—not all final art seen) to Illuminae, forward plot motion and surprises right up to the cliffhanger ending keep this its own book.
An action-packed thrill ride and stellar head trip. (Science fiction. 13 & up)Pub Date: Oct. 18, 2016
ISBN: 978-0-553-49915-5
Page Count: 672
Publisher: Knopf
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
A troubling depiction of an unhealthy relationship.
A battered girl and an injured rugby star spark up an ill-advised romance at an Irish secondary school.
Beautiful, waiflike, 15-year-old Shannon has lived her entire life in Ballylaggin. Alternately bullied at school and beaten by her ne’er-do-well father, she’s hopeful for a fresh start at Tommen, a private school. Seventeen-year-old Johnny, who has a hair-trigger temper and a severe groin injury, is used to Dublin’s elite-level rugby but, since his family’s move to County Cork, is now stuck captaining Tommen’s middling team. When Johnny angrily kicks a ball and knocks Shannon unconscious (“a soft female groan came from her lips”), a tentative relationship is born. As the two grow closer, Johnny’s past and Shannon’s present become serious obstacles to their budding love, threatening Shannon’s safety. Shannon’s portrayal feels infantilized (“I looked down at the tiny little female under my arm”), while Johnny comes across as borderline obsessive (“I knew I shouldn’t be touching her, but how the hell could I not?”). Uneven pacing and choppy sentences lead to a sudden climax and an unsatisfyingly abrupt ending. Repetitive descriptions, abundant and misogynistic dialogue (Johnny, to his best friend: “who’s the bitch with a vagina now?”), and graphic violence also weigh down this lengthy tome (considerably trimmed down from its original, self-published length). The cast of lively, well-developed supporting characters, especially Johnny’s best friend and Shannon’s protective older brother, is a bright spot. Major characters read white.
A troubling depiction of an unhealthy relationship. (author’s note, pronunciations, glossary, song moments, playlists) (Romance. 16-18)Pub Date: Nov. 28, 2023
ISBN: 9781728299945
Page Count: 626
Publisher: Bloom Books
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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