An adrenaline-pumping action story with timely themes and lasting resonance thanks to the focus on the characters’ humanity.
Insurgents among the remaining Kerenza IV colonists must sabotage and delay BeiTech to stay alive long enough for survivors from Illuminae (2015) and Gemina (2016) to return and give them a fighting chance.
Rhys Lindstrom, a handsome blond techie space Marine-type, and Asha Grant, a pharmacy intern and Kady Grant’s light brown-skinned cousin, are on opposite sides—spelling trouble for this star-crossed couple. Rhys works for occupying BeiTech, while Asha’s in the resistance. Rhys has been working on the Magellan’s (nearly complete) repairs but is reassigned to the surface to maintain the crumbling colony’s infrastructure as BeiTech finishes replenishing their hermium supply so they can leave the system. Some of the (fatal) technical difficulties are the result of sabotage by colonist resisters who know that when BeiTech no longer needs them that they’re likely to be liquidated just as the “nonessential” colonists were. With Rhys horrified by the planetary situation and seeking to reconnect with his ex Asha, the resistance turns to him for a Hail Mary plan. Meanwhile, the consolidated Hypatia and Heimdall crews face tight resources, tense leadership struggles (including pushback from adults not wanting to take orders from teens), and impossible choices as they race to the colony for a long-shot rescue mission. Design as tightly controlled as the plot clarifies complicated situations and provides visceral emotional gut punches.
An adrenaline-pumping action story with timely themes and lasting resonance thanks to the focus on the characters’ humanity. (Science fiction. 13-adult)Pub Date: March 13, 2018
ISBN: 978-0-553-49919-3
Page Count: 624
Publisher: Knopf
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
A troubling depiction of an unhealthy relationship.
A battered girl and an injured rugby star spark up an ill-advised romance at an Irish secondary school.
Beautiful, waiflike, 15-year-old Shannon has lived her entire life in Ballylaggin. Alternately bullied at school and beaten by her ne’er-do-well father, she’s hopeful for a fresh start at Tommen, a private school. Seventeen-year-old Johnny, who has a hair-trigger temper and a severe groin injury, is used to Dublin’s elite-level rugby but, since his family’s move to County Cork, is now stuck captaining Tommen’s middling team. When Johnny angrily kicks a ball and knocks Shannon unconscious (“a soft female groan came from her lips”), a tentative relationship is born. As the two grow closer, Johnny’s past and Shannon’s present become serious obstacles to their budding love, threatening Shannon’s safety. Shannon’s portrayal feels infantilized (“I looked down at the tiny little female under my arm”), while Johnny comes across as borderline obsessive (“I knew I shouldn’t be touching her, but how the hell could I not?”). Uneven pacing and choppy sentences lead to a sudden climax and an unsatisfyingly abrupt ending. Repetitive descriptions, abundant and misogynistic dialogue (Johnny, to his best friend: “who’s the bitch with a vagina now?”), and graphic violence also weigh down this lengthy tome (considerably trimmed down from its original, self-published length). The cast of lively, well-developed supporting characters, especially Johnny’s best friend and Shannon’s protective older brother, is a bright spot. Major characters read white.
A troubling depiction of an unhealthy relationship. (author’s note, pronunciations, glossary, song moments, playlists) (Romance. 16-18)Pub Date: Nov. 28, 2023
ISBN: 9781728299945
Page Count: 626
Publisher: Bloom Books
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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