A unique, well-conceived take on using food to discover the essence of home.
A child rethinks her definition of home in Jalloh’s second picture book.
Elementary-schooler Mariama loves living in Freetown, Sierra Leone, where she can get banana akara ice cream and play football at the beach with her friends. When her parents announce that the family will be taking a trip back to her father’s home village of Kabala, Mariama can’t hide her disappointment. “But I don’t want another home,” she says to herself, “my home is here in Freetown with all my friends.” In Kabala, she is welcomed warmly by her extended family, but she doesn’t start to feel comfortable until her uncle takes her to meet his neighbor Pa Bah who lets her try thiakry, a dessert made from couscous. Mariama enjoys this experience but still misses home. It isn’t until Mariama celebrates the Kabala Festival and Pa Bah creates a thiakry dish with a twist that she learns to love both of her homes equally. Jalloh’s follow-up to The Biggest Little Brother (2017) is a thoughtful and visually dynamic exploration of the different ways we experience “home.” The author highlights a rarely studied country in American children’s literature and doesn’t shy from confronting the complexity of Mariama’s homesickness. Ӧzcan’s illustrations of the cities and countryside of Sierra Leone are vivid; they bring the nation’s culture to life with well-placed embellishments, such as the stars around Mariama’s spoon as she declares her love for banana thiakry.
A unique, well-conceived take on using food to discover the essence of home.Pub Date: June 17, 2023
ISBN: 979-8988009009
Page Count: 36
Publisher: Readers Inspired
Review Posted Online: Aug. 16, 2023
Kirkus Reviews Issue: Oct. 1, 2023
Review Program: Kirkus Indie
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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