by Amjad Fatemi ‧ RELEASE DATE: April 20, 2011
Only recommended for hardcore truth-seeking matter-energy forms.
Fatemi maps out the path to “Sage”-hood—that is, enlightenment—via quantum science and universal consciousness, reflected in patterns of information and existence.
Saying that science and religion have not yet found common ground, Fatemi (Chemistry/London Univ.) offers up a thick, often indigestible Grand Unified cosmology of quasi-quantum physics, Buddhism, famous mathematical formulas and New Age-tinged philosophy that, even with vastly simplified charts and bar graphs, makes Stephen Hawking read like Goodnight Moon. Rationalists and skeptics will find the author too quick to paste subjective, obviously theistic labels on elements of reality, mapping out different layers of thought, ethics, states of being and subatomic structure, mostly in flat, declarative sentences. His reliance on DIY metaphysics jargon (“consciousness atom” equals “soul”) makes the text tough going, though “Event-o-graph”—a snarky euphemism for the conventional view of linear time—is admittedly cute. (Fatemi prefers “Twin time,” which seems to imply multiple universes and different possible outcomes.) Only well into the exegesis does the material become accessible, when the author reels in from a universe-sized view to a human one, presenting intriguing notions of psychology, destiny, fear, war, disease, religious dogma and morality in terms of energy transference. He also uses the movie It’s a Wonderful Life to illustrate parallel or alternate realities. Because Fatemi’s theories posit reincarnation, since the consciousness atom cannot be destroyed, the author advises that present-day turmoil in an individual could be ascribed to disturbances in past incarnations. That God turns out to be love may be a fairly pat conclusion, though nobody can say the narrative doesn’t put forth effort in getting there. Seekers and collectors of works devoted to truth may put this on their karmic reading list, but even the more relatable passages come with non-sequitur zingers, as when Fatemi claims that the highest, most altruistic and peaceable of people share those attributes with “evolved birds.” Thick with metaphysical jargon, idiomatic physics and deep-thought Buddhism, this bulky philosophical/religious treatise gets a bit more comprehensible as it goes along, but it’s still mostly impenetrable.
Only recommended for hardcore truth-seeking matter-energy forms.Pub Date: April 20, 2011
ISBN: 978-1432769628
Page Count: 550
Publisher: Outskirts
Review Posted Online: Aug. 5, 2011
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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