A finely crafted collection that perfectly evokes a place and culture.
Wright offers stark stories from the contemporary Deep South in this debut collection.
A cynical used car salesman in Birmingham—“an academic of the catchpenny auto-industrial complex,” as he calls himself—gets the opportunity to move up to new Jaguars, though a mural across the street from the dealership begins to haunt his thoughts. A black anti-corruption county commissioner attempts to raise his albino autistic son in Alabama’s richest (and all-white) suburb, where he feels they are not welcome. A white boy moves with his family to an all-black town and watches his father descend into an unsettling obsession with the civil rights era. A disgraced safety engineer at a steam plant walks uninvited into a woman’s house, sits on her couch, and when she asks him what he’s doing, says, “I’m Columbus. I live here now.” In these 16 stories, Wright pokes at the still-unhealed wounds of Alabama to discover the hatred and trauma flowing beneath the surface. The census takers, bankers, bodyguards, and prison cooks that populate these pages must contend with the tortured history that has preceded them, from the legacy of slavery to the Deepwater Horizon spill’s poisoning the waters offshore. In Wright’s vision, modern Alabama hasn’t gotten any less crazy; the old madness is simply manifesting itself in new ways: “The Dirty South is a disenchanted land of guilt and black milk and terror, white bed sheets and burning crosses in the front yard, the charred wood—cut from the same ugly pines used to frame your house and church—never quite cool to the touch,” writes the narrator of one story. “I’ve taken communion, and been a cannibal.” Wright’s prose is stylishly verbose and honest, offering descriptions that seem to have ambulated onto the page of their own accord: “When DOT took a slice out of Red Mountain for the expressway…most of downtown Birmingham self-actualized to antique ruins, reverting to a giant used-car lot, a smooth asphalted prairie where trash and news blew before the winds.” He successfully combines the anarchic nihilism of Hunter S. Thompson with the deeper, exploratory writings of William Faulkner, identifying the cancers of his chosen corner of the American South and providing not solutions so much as requiems. The author shapes observations that feel simultaneously folksy and startling; one woman observes of her neighbors: “They’re such goddamn Good Samaritans they’d show you how to load a gun if you were trying to blow your head off.” At nearly 300 pages, the book is perhaps overlong for a story collection, and a few of the weaker pieces could have been left on the editing room floor. That said, the thematic consistency is so strong that the reader leaves the book with the wondrous sense of having spent a lifetime among the crooks and malcontents of central Alabama and having come away much wiser for the experience.
A finely crafted collection that perfectly evokes a place and culture.Pub Date: July 31, 2018
ISBN: 978-1-60489-209-3
Page Count: 305
Publisher: Livingston Press
Review Posted Online: June 14, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Review Program: Kirkus Indie
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Superb stylist L’Amour returns (End of the Drive, 1997, etc.), albeit posthumously, with ten stories never seen before in book form—and narrated in his usual hard-edged, close-cropped sentences, jutting up from under fierce blue skies. This is the first of four collections of L’Amour material expected from Bantam, edited by his daughter Angelique, featuring an eclectic mix of early historicals and adventure stories set in China, on the high seas, and in the boxing ring, all drawing from the author’s exploits as a carnival barker and from his mysterious and sundry travels. During this period, L’Amour was trying to break away from being a writer only of westerns. Also included is something of an update on Angelique’s progress with her father’s biography: i.e., a stunningly varied list of her father’s acquaintances from around the world whom she’d like to contact for her research. Meanwhile, in the title story here, a missionary’s daughter who crashes in northern Asia during the early years of the Sino-Japanese War is taken captive by a nomadic leader and kept as his wife for 15 years, until his death. When a plane lands, she must choose between taking her teenaged son back to civilization or leaving him alone with the nomads. In “By the Waters of San Tadeo,” set on the southern coast of Chile, Julie Marrat, whose father has just perished, is trapped in San Esteban, a gold field surrounded by impassable mountains, with only one inlet available for anyone’s escape. “Meeting at Falmouth,” a historical, takes place in January 1794 during a dreadful Atlantic storm: “Volleys of rain rattled along the cobblestones like a scattering of broken teeth.” In this a notorious American, unnamed until the last paragraph, helps Talleyrand flee to America. A master storyteller only whets the appetite for his next three volumes.
Pub Date: May 11, 1999
ISBN: 0-553-10963-4
Page Count: 288
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
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