In Pajalić’s high school YA drama, a Bosnian girl in Australia attends a new school where she tries to befriend the sister she didn’t know she had.
Alma Omerović experiences the “most traumatic day” of her 15 years of life—she learns that her father, Esad, had a daughter no one in the family knew about (including Esad himself). In an effort to get to know this daughter, Sabiha, Esad moves the family from Hobart to Melbourne and enrolls Alma in the same school as his estranged daughter. Sabiha grew up under the assumption that Esad had abandoned her and her mother, and she spurns his affections as well as Alma’s attempts to establish a sibling bond with her. Alma slowly makes some headway into Sabiha’s group of friends—they call themselves the “Sassy Saints,” a coinage typical of author Pajalić’s thoroughly predictable montage of adolescent tropes. Alma laments her lonely experience as the outsider: “Every day was like walking underwater and fighting to get to the surface for a breath. There were currents and undertows and I constantly wished that I’d been able to stay in my old school and avoid the drama.” Meanwhile, Alma begins a romantic relationship with older student Alex Payne, a smooth talker with a “sparkling smile” who is either a sweet boyfriend or an exploitive scoundrel. The author hits all the big issues of adolescent life—religious bigotry and racism, sexual identity, the perils of sexting, and the pressure to cross the threshold from virginity into sexual maturity. It’s hard to ignore the feeling of a checklist being diligently completed here. Yet the author does perceptively capture the sneaking suspicion among teens that their adult superiors are monstrously hypocritical, a revelation encountered as a betrayal. Still, much of the book is a rehash of familiar themes, lacking freshness and vivacity.
Although Pajalić bravely deals with some serious adolescent issues, the book lacks an original angle on teen drama.