by Amy Blackmarr ‧ RELEASE DATE: Sept. 1, 1997
This elliptical series of descriptive essays offers an experiment of sorts: a graceful descent into the Thoreauvian life of mind and nature. In Walden, the prototypical ``pond tale,'' Thoreau says he went to the woods so as not to discover, when he came to die, that he had not lived. Blackmarr decided several years ago to quit her Kansas business and move back home to southern Georgia and a fishing-cabin retreat, with two dogs for constant companions; and in a deliberate echo of Thoreau, she says she did not want to wake up regretting, 30 years later, that she had not done the things she'd always wanted to do—in particular, to write and to be near her grandmother, MaRe. Blackmarr's metaphor of discovery and of connectedness to her grandfather's land—her ``ground''—is evoked throughout, but most literally in scenes that frame her story: first, her watching her ``hard-bodied little gray dog'' Max digging a cave in the dirt outside her cabin, and later, her dog Queenie's death and burial. Though not a traditional believer, she nevertheless does occasionally go looking ``for God sign, like a good tracker.'' The author, who herself describes this work as ``less narrative than scene, less word than image—less explanation than experience,'' is only selectively present in this memoir: as writer, hunter, arrowhead collector. That Blackmarr currently lives in a treehouse indicates she has not yet finished her quest. But when she describes her cabin's view of light glittering on the water, ``catching on the wet backs of turtles and in the feathery tops of the pale, tall grasses around the banks,'' and says ``I am my grandmother's voice,'' readers are likely to hear this as a welcome invocation, and to fall effortlessly under the entrancing spell of her words. (Author tour)
Pub Date: Sept. 1, 1997
ISBN: 0-670-87567-8
Page Count: 208
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1997
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by Lulu Miller illustrated by Kate Samworth ‧ RELEASE DATE: April 14, 2020
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Patrik Svensson translated by Agnes Broomé ‧ RELEASE DATE: May 5, 2020
Unsentimental nature writing that sheds as much light on humans as on eels.
An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.
In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.
Unsentimental nature writing that sheds as much light on humans as on eels.Pub Date: May 5, 2020
ISBN: 978-0-06-296881-4
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
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