Bloom enlivens her story with understated humor as well as offbeat and unforgettable characters. Despite a couple of...

LUCKY US

On a journey from Ohio to Hollywood to Long Island to London in the 1940s, a couple of plucky half sisters continually reinvent themselves with the help of an unconventional assortment of friends and relatives.

In 1939, 12-year-old Eva is abandoned by her feckless mother on her father’s Ohio doorstep after the death of his wealthy wife. After a couple of years of neglect, Eva and her glamorous older half sister, Iris, escape to Hollywood, where Iris embarks on a promising career in film—until she's caught on camera in a lesbian dalliance with a starlet, which gets her blacklisted. With the help of a sympathetic gay Mexican makeup artist as well as their con-artist father, Edgar, who has recently reappeared in their lives, the girls travel across the country to New York and finagle jobs at the Great Neck estate of a wealthy Italian immigrant family. Hired as a governess, Iris promptly falls in love with the family’s pretty cook, Reenie, inconveniently married to Gus, a likable mechanic of German ancestry. In this partly epistolary novel interspersed with both first-person and third-person narration, Bloom (Where the God of Love Hangs Out, 2010, etc.) tells a bittersweet story from multiple viewpoints. The novel shares the perspectives of Eva, Iris, Edgar, Gus and Clara, a black nightclub singer who becomes Edgar’s live-in girlfriend and companion to Eva. Though the letter-writing conceit doesn’t always ring true, since it's unlikely that one sister would recount their shared experiences to the other in letters years later, the novel works in aggregate, accumulating outlooks to tell a multilayered, historical tale about different kinds of love and family.

Bloom enlivens her story with understated humor as well as offbeat and unforgettable characters. Despite a couple of anachronisms, this is a hard-luck coming-of-age story with heart.

Pub Date: July 29, 2014

ISBN: 978-1-4000-6724-4

Page Count: 256

Publisher: Random House

Review Posted Online: May 29, 2014

Kirkus Reviews Issue: June 1, 2014

Did you like this book?

No Comments Yet

ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

Did you like this book?

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

Reader Votes

  • Readers Vote
  • 11

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

Did you like this book?

more