Readers need know nothing about Lawrence and his circle to become engrossed in this evocative tale.



An attempt to establish a new world Utopia in the American Southwest succumbs to a clash of genders and cultures in this subtly compelling historical novel, the author’s debut.

Boaz takes inspiration from the life of D.H. Lawrence and the painter who accompanied him and his German wife to forge a new life free from the cultural contaminations of supposedly civilized England. Narrated by Doll (short for Dorothy, a character inspired by painter Dorothy Brett, who came to New Mexico with the Lawrences), the novel shifts its chronology among three different periods. Most of the story concerns the years immediately following the emigration of the artistic-minded trio in 1924, as Abe Bronstone (the Lawrence figure) expounds his theories on raising the human consciousness within a community of Indians mixed with a motley assortment of Caucasians. Doll also flashes back to her formative years in England, as a neglected daughter and a sexually abused child who finds refuge in the arts, and she flashes forward to 1963, when she spends her later years with a much younger Indian man, as naive to the ways of the world as she had been. The switching among these three different time periods initially feels a little arbitrary, but Boaz pulls the various strands together in the novel’s second half, which builds to a riveting climax, as the influence of Bronstone’s strong-willed wife on the other women sparks tension between the Anglo and Indian cultures. Throughout the novel, Boaz turns the landscape itself into a protagonist, richer in detail than many of the characters. Physically unattractive and hard of hearing, Doll takes a leap of faith in following Bronstone, whom she alternately seems to consider a mentor, friend, lover and father figure (though they are roughly the same age). The stormy marriage of the Bronstones provides much of the narrative momentum, as the more submissive Doll decides where she fits between such strong-willed people.

Readers need know nothing about Lawrence and his circle to become engrossed in this evocative tale.

Pub Date: March 1, 2008

ISBN: 978-1-57962-159-9

Page Count: 214

Publisher: Permanent Press

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 1, 2008

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This thriller about the pursuit of a serial killer suffers from an unpleasant hero and a glacial pace.


An FBI agent is determined to catch a man who bilks and murders wealthy women, but the chase goes slowly.

Brown (Tailspin, 2018, etc.) has published 70 bestsellers, and this one employs her usual template of thriller spiked with romance. Its main character, Drex Easton, is an FBI agent in pursuit of a serial killer, but for him it’s personal. When he was a boy, his mother left him and his father for another man, Weston Graham. Drex believes Graham murdered her and that he has killed at least seven more women after emptying their bank accounts. Now he thinks he has the clever Graham—current alias Jasper Ford—in his sights, and he’s willing to put his career at risk to catch him. The women Ford targets are wealthy, and his new prey is no exception—except that, uncharacteristically, he has married her. Talia Ford proves to be a complication for Drex, who instantly falls in lust with her even though he’s not at all sure she isn’t her husband's accomplice. Posing as a would-be novelist, Drex moves into an apartment next door to the Fords’ posh home and tries to ingratiate himself, but tensions rise immediately—Jasper is suspicious, and Talia has mixed feelings about Drex's flirtatious behavior. When Talia’s fun-loving friend Elaine Conner turns up dead after a cruise on her yacht and Jasper disappears, Drex and Talia become allies. There are a few action sequences and fewer sex scenes, but the novel’s pace bogs down repeatedly in long, mundane conversations. Drex's two FBI agent sidekicks are more interesting characters than he is; Drex himself is such a caricature of a macho man, so heedless of ethics, and so aggressive toward women that it’s tough to see him as a good guy. Brown adds a couple of implausible twists at the very end that make him seem almost as untrustworthy as Graham.

This thriller about the pursuit of a serial killer suffers from an unpleasant hero and a glacial pace.

Pub Date: Aug. 6, 2019

ISBN: 978-1-4555-7219-9

Page Count: 448

Publisher: Grand Central Publishing

Review Posted Online: July 28, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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Despite kilt-wearing characters right out of Brigadoon, Picoult (Picture Perfect, 1995, etc.) persuasively explores a mercy killing in a small Massachusetts town and the subject of spouses who love too much. Wheelock has been home to the tradition-upholding MacDonalds and their hereditary chieftains since the 18th century, when the clan fled Scotland after the British defeated them in battle. Each clan chief has inherited more responsibilities over time, and the current laird Cam MacDonald is, like his father before him, the local chief of police. Cam yearns to travel and, though married, finds wife Allie's devotion stifling. Allie, a florist, has in turn suppressed all of her own opinions and pleasures for the sake of making Cam, whom she adores, happy. As the story begins, another MacDonald, James, has demonstrated his overwhelming love for wife Maggie in a very extreme form: James turns himself in to cousin Cam after admitting that he has smothered Maggie at her request because she was terminally ill with cancer and could no longer stand the pain. While the quality and wisdom of James's devotion to his wife will be tried in public, Allie's love for Cam will also be tested as free spirit Mia arrives in town. Mia has been everywhere and seen all the places Cam dreams of; she is also a whiz with flowers and gets immediately hired by Allie. While Allie helps James's lawyer find witnesses who will attest to his devotion to Maggie (he's now being tried for murder), Cam and Mia have an affair. A heartsick Allie learns of it, throws Cam out, sells all of his belongings, and then tries to forget him. But true love is resilient, and Allie, like James, having learned the price of being ``the one who loves more,'' will now try for greater balance. Overly predictable characters aside, Picoult does manage this time to bring trendy, headline-grabbing themes to life. (Literary Guild alternate selection)

Pub Date: Aug. 13, 1996

ISBN: 0-399-14160-X

Page Count: 400

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 15, 1996

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