Next book

BEAT

Satisfyingly subtle and rich.

Boaz follows her debut (A Richer Dust, 2008) with another finely wrought novel rooted in literary history.

Here it’s a member of the Beat Generation who provokes the narrator’s desire and dilemma. Frances, an attractive young woman who was formerly a magazine editor in New York, chronicles her sojourn in Paris with her precociously inquisitive seven-year-old daughter. Cathy has a lot to inquire about, because she knows more than she should about her mother’s relationship with Joseph Pasternak, an older poet for whom Frances has all but ended her marriage. (Boaz throws in plenty of Kerouac references, though the outdoorsy Pasternak more resembles Gary Snyder.) A series of flashbacks reveals what drove Frances to Paris. She meets Joseph at a wedding and, restless since childbirth put an end to sex with her dependable, boring husband, pursues and steals him away from his common-law wife, a better-known poet with the unfortunate name of Arlene Manhunter. However, all is not what it seems. Apparently the previously married Joseph hasn’t confined his affections to Frances, and he is now incarcerated in Colorado after the disappearance of Arlene, which may be a crime in which Frances may be complicit. What initially seems like a literary soap opera with traces of a mystery evolves into an acute character study in which Frances reveals essential truths about herself. “We want romance because it will change our lives and we want desperately to change our lives,” she reflects. But lives don’t always change for the better, and those changes can have a profound effect on others close to the lovers. Frances is so concerned with herself that she barely notices the impact on Cathy of being exiled to Paris with a mother in flight from a broken marriage, on the lam from the law—or perhaps both.

Satisfyingly subtle and rich.

Pub Date: Aug. 1, 2009

ISBN: 978-1-57962-186-5

Page Count: 198

Publisher: Permanent Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2009

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 34


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Next book

A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

Awards & Accolades

Likes

  • Readers Vote
  • 34


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Close Quickview