Halloween happenings of the mildly scary sort are the thematic focus of this collection of 21 short poems. Most of the poems rhyme, although a few are non-rhyming, in the style (but not the exact form) of haiku. Many of the poems are excellent; a few have some amateurish rhymes or sing-song rhythm; and one or two need a touch of Halloween magic to come alive. If the quality of the poems is a little uneven, the volume’s polished design and enchanting beaded illustrations maintain a high level of quality and interest throughout. Dismukes exhibits a fine sense of style and graphic design in her jewel-toned fabric collages embellished with buttons and rows of beads. Her Halloween creatures are a delight: Frankenstein, a green-faced witch, a Cyclops, skeletons, spiders, and ghostly trick-or-treaters in costume. A clever black cat with a curly tail makes repeated but slightly altered appearances, sporting tiny matching fangs for a vampire poem and just one eye when the Cyclops comes to call. Kids who enjoy the spooky side of Halloween will find this a treat. (Poetry. 5-8)
Pub Date: Aug. 1, 2004
ISBN: 0-8050-7046-X
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
Fun, in an odd sort of way.
The old folk song is given a Hanukkah spin in a parody that blends Jewish tradition with art appreciation.
The kerchiefed grandma swallows a tiny dreidel placed atop her cream-cheesed bagel by the family cat, setting off the familiar chain of events. She swallows the oil, the latkes, 10 barrels of applesauce, a 20-ton brisket, a “mine full of gelt, before it could melt,” the menorah and candles until she is finally full. A large burp makes her feel better. The silliness, cadence and rhythm of the verse all work with the original tune; it can be a tongue twister at times but will keep kids engaged. “I know an old lady who swallowed a menorah— / A mountainous menorah, while we danced the hora.” Acrylic-based drawings using charcoal, pen and pencil place this bubbe in various scenes taken from classical paintings, providing an educational twist. She appears in comical versions of Munch’s The Scream and Vermeer’s The Milkmaid. The applesauce in a red-and-white can spoofs Andy Warhol’s Campbell Soup Cans, and the menorah is set against the background of van Gogh’s The Starry Night. Adults will see the humor but might wonder about the artist’s point in his note stating that “a new look at famous works of art seemed like the perfect way to help people of all backgrounds enjoy this fresh take on an ancient holiday.”
Fun, in an odd sort of way. (Picture book. 5-8)Pub Date: Aug. 26, 2014
ISBN: 978-0-439-91530-4
Page Count: 32
Publisher: Levine/Scholastic
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
