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A CUP OF TEA

A NOVEL OF 1917

Screenwriter/novelist Ephron (Biodegradable Soap, 1991, etc., and the film A Little Princess) claims that this tragic romance, set in WW-I New York, is inspired by a Katherine Mansfield story, but her sketchy characters, unconvincing historical detail, and hopelessly wooden prose hardly benefit by the comparison. It's the winter of 1917, and the US is on the brink of war, but New York socialite Rosemary Fell refuses to let international events interfere with her wedding plans. Motherless from a young age, Rosemary depends on her fiancÇ, Philip Alsop, and best friend, closet lesbian Jane Howard, to provide her with diversion, advice, and news of the world. But she acts on her own whim when, out shopping one day, she spots a poor young woman on a street corner and decides to take her home and fix her up. It takes only a few hours for Rosemary to realize that Eleanor Smith, the unfortunate product of a broken family but younger and prettier than she, is far too attractive to Philip to keep around. She dispatches Eleanor back to the streets at once, a few dollars clutched in her hand. With Jane's help, Eleanor finds a job in a hat shop, and inevitably she's there the day Philip drops by to pick up an order for his fiancÇe. The two become lovers, irresistibly drawn to each other despite Philip's ensuing marriage, and continuing so even after his posting to Europe and after erroneous report of his death on the battlefield. When Philip returns to America to find that Eleanor has borne his illegitimate child, he swears he'll leave Rosemary- -only to be foiled by his distraught young wife, who turns out to be not so oblivious after all. A failed experiment in historical fiction. Ephron should stick to what she knows.

Pub Date: Aug. 1, 1997

ISBN: 0-688-14997-9

Page Count: 224

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1997

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WHISTLING PAST THE GRAVEYARD

Young Starla is an endearing character whose spirited observations propel this nicely crafted story.

Crandall (Sleep No More, 2010, etc.) delivers big with a coming-of-age story set in Mississippi in 1963 and narrated by a precocious 9-year-old.

Due in part to tradition, intimidation and Jim Crow laws, segregation is very much ingrained into the Southern lifestyle in 1963. Few white children question these rules, least of all Starla Caudelle, a spunky young girl who lives with her stern, unbending grandmother in Cayuga Springs, Miss., and spends an inordinate amount of time on restriction for her impulsive actions and sassy mouth. Starla’s dad works on an oil rig in the Gulf; her mother abandoned the family to seek fame and fortune in Nashville when Starla was 3. In her youthful innocence, Starla’s convinced that her mother’s now a big singing star, and she dreams of living with her again one day, a day that seems to be coming more quickly than Starla’s anticipated. Convinced that her latest infraction is about to land her in reform school, Starla decides she has no recourse but to run away from home and head to Nashville to find her mom. Ill prepared for the long, hot walk and with little concept of time and distance, Starla becomes weak and dehydrated as she trudges along the hot, dusty road. She gladly accepts water and a ride from Eula, a black woman driving an old truck, and finds, to her surprise, that she’s not Eula’s only passenger. Inside a basket is a young white baby, an infant supposedly abandoned outside a church, whom Eula calls James. Although Eula doesn’t intend to drive all the way to Nashville, when she shows up at her home with the two white children, a confrontation with her husband forces her into becoming a part of Starla’s journey, and it’s this journey that creates strong bonds between the two: They help each other face fears as they each become stronger individuals. Starla learns firsthand about the abuse and scare tactics used to intimidate blacks and the skewed assumption of many whites that blacks are inferior beings. Assisted by a black schoolteacher who shows Eula and Starla unconditional acceptance and kindness, both ultimately learn that love and kinship transcend blood ties and skin color.

Young Starla is an endearing character whose spirited observations propel this nicely crafted story.

Pub Date: July 2, 2013

ISBN: 978-1-4767-0772-3

Page Count: 320

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: May 20, 2013

Kirkus Reviews Issue: June 15, 2013

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WASHINGTON BLACK

A thoughtful, boldly imagined ripsnorter that broadens inventive possibilities for the antebellum novel.

High adventure fraught with cliffhanger twists marks this runaway-slave narrative, which leaps, sails, and soars from Caribbean cane fields to the fringes of the frozen Arctic and across a whole ocean.

It's 1830 on the island of Barbados, and a 12-year-old slave named George Washington Black wakes up every hot morning to cruelties administered to him and other black men, women, and children toiling on a sugar plantation owned by the coldblooded Erasmus Wilde. Christopher, one of Erasmus’ brothers, is a flamboyant oddball with insatiable curiosity toward scientific matters and enlightened views on social progress. Upon first encountering young Wash, Christopher, also known as Titch, insists on acquiring him from his brother as his personal valet and research assistant. Neither Erasmus nor Wash is pleased by this transaction, and one of the Wildes' cousins, the dour, mysterious Philip, is baffled by it. But then Philip kills himself in Wash’s presence, and Christopher, knowing the boy will be unjustly blamed and executed for the death, activates his hot air balloon, the Cloud-cutter, to carry both himself and Wash northward into a turbulent storm. So begins one of the most unconventional escapes from slavery ever chronicled as Wash and Titch lose their balloon but are carried the rest of the way to America by a ship co-captained by German-born twins of wildly differing temperaments. Once in Norfolk, Virginia, they meet with a sexton with a scientific interest in dead tissue and a moral interest in ferrying other runaway slaves through the Underground Railroad. Rather than join them on their journey, Wash continues to travel with Titch for a reunion with the Wildes' father, an Arctic explorer, north of Canada. Their odyssey takes even more unexpected turns, and soon Wash finds himself alone and adrift in the unfamiliar world as “a disfigured black boy with a scientific turn of mind…running, always running from the dimmest of shadows.” Canadian novelist Edugyan (Half-Blood Blues, 2012, etc.) displays as much ingenuity and resourcefulness as her main characters in spinning this yarn, and the reader’s expectations are upended almost as often as her hero’s.

A thoughtful, boldly imagined ripsnorter that broadens inventive possibilities for the antebellum novel.

Pub Date: Sept. 19, 2018

ISBN: 978-0-525-52142-6

Page Count: 336

Publisher: Knopf

Review Posted Online: July 1, 2018

Kirkus Reviews Issue: July 15, 2018

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