by Amy Ephron ‧ RELEASE DATE: Sept. 6, 2011
These bagatelles offer glittering diversion but little of lasting worth.
Sex and the City meets Erma Bombeck in this gossamer gathering of recollections from novelist Ephron (One Sunday Morning, 2005, etc.).
True to its title, the book flaunts the glimmers of memory that the author haphazardly crafts into vignettes detailing her bohemian-chic adventures in Los Angeles and New York—with an emphasis on the chic. Starting off as a wild child in the 1970s, she recounts swilling champagne with glamorous friends, buying couture from Saks Fifth Avenue and interviewing Manson Family member Squeaky Fromme at the Spahn Ranch. Ephron’s most entertaining anecdotes date from this era, as she name-drops celebrity friends and shines a light on the inner workings of the National Lampoon during its heady countercultural years. Less sparkling are her attempts to frame her contemporary life with her second husband and five children as a Beverly Hills version of Cheaper by the Dozen. Readers may find it difficult to conjure much empathy for a woman who disparages Elizabeth Taylor’s gigantic diamond ring as extravagant, but laments the theft of her own baubles fashioned by the likes of Tiffany, Cartier and Elsa Peretti. This theft, one of several that hit the Los Angeles area, understandably shook up the author, and the event functions as a sort of connecting thread for the collection. However, even when commenting on the serial burglar’s habit of creating a different persona for each house, she fails to delve further. Accounts of the hostile mothers at her son’s private school similarly fail to engage. While Ephron has enough of a sense of humor to keep these pieces from completely lacking in self-awareness, her writing too often skims the surface, even for comic musings. Likewise, the more somber essays addressing her mother’s depression and Ephron’s own experience with date rape are meandering and unfocused.
These bagatelles offer glittering diversion but little of lasting worth.Pub Date: Sept. 6, 2011
ISBN: 978-0-06-195874-8
Page Count: 176
Publisher: Morrow/HarperCollins
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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by Tom Clavin ‧ RELEASE DATE: April 21, 2020
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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by Emmanuel Carrère translated by Linda Coverdale ‧ RELEASE DATE: Sept. 13, 2011
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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