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THE BOOKSHOP OF YESTERDAYS

A lovely look at loss, family, and the comfort found in a good bookstore.

A woman inherits her late uncle’s struggling bookstore in Meyerson’s debut novel.

Miranda once idolized her uncle Billy—he was charming, adventurous, and always let her pick out any book she wanted from his store, Prospero Books. He planned elaborate scavenger hunts and was full of surprises. But on the night of her 12th birthday, Billy and her mother have an explosive fight. Miranda doesn’t know what happened between them, but she loses touch with Billy—until years later, when she’s a teacher in Philadelphia. Billy is dead, but he left her his bookstore—and a mysterious book and letter. Determined to figure out what’s going on, Miranda returns to Los Angeles and embarks on her final scavenger hunt, following clues that introduce her to books and people from Billy’s past. No one will tell her why Billy disappeared from her life—not her mother, her father, or the employees at Prospero Books—so the scavenger hunt is her only hope to figure out what happened. Miranda quickly finds out that Billy wasn’t just the fun-loving uncle she remembers—his life was also full of tragedy. As Miranda learns about his history, she must also juggle trying to save Prospero Books and deciding what she wants out of her life. Should she return to teaching and her boyfriend in Philadelphia, or would she rather stay with her family and her bookstore in LA? Miranda’s quest to learn more about her uncle leads to some surprises and plenty of references to literature, with clues hidden in classics like Jane Eyre, Frankenstein, and Bridge to Terabithia. Meyerson writes beautifully, with lush descriptions of LA and believable interactions between characters. Prospero Books is warm, inviting, and populated with lovably quirky employees readers will want to get to know.

A lovely look at loss, family, and the comfort found in a good bookstore.

Pub Date: June 12, 2018

ISBN: 978-0-7783-1984-9

Page Count: 368

Publisher: Park Row Books

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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HOUSE OF LEAVES

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...

An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.

Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad.  The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized).  As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses).  Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture.  Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly.  One of the most impressive excursions into the supernatural in many a year.

Pub Date: March 6, 2000

ISBN: 0-375-70376-4

Page Count: 704

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2000

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