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THE ORPHANAGE OF MIRACLES

An earnestly optimistic and uplifting fairy tale.

Awards & Accolades

Our Verdict

  • Our Verdict
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Neftzger (Confessions from a Moving Van, 2012) makes a promising entry into young-adult fantasy with this sincere, whimsical allegory that’s built on the trope of the hero’s quest and explores themes of freedom, creativity and teamwork.

In a country where a sorcerer confuses perceptions so deeply that the people don’t know whether their war against him is even real, young Kelsey, hoping to help her family, begins a journey to find the rumored Orphanage of Miracles. Kelsey purchases a jar of bad memories as a shortcut to building character; a mishap with the jar brings her a silent but wise boy, whom everyone naturally loves, as a traveling companion. A talking leopard they meet in the woods agrees to be their guide to traverse changing lands and evade guardians who seem to block their way. Meanwhile, deep within a forest no one dares enter, the orphanage hoards sparkling, jewellike miracles in a locked garden for the king, while the children in the strange boarding school have lost the ability to even read. Friends Jovan, Maggie and Nicholas spend their days trying to catch miracles in butterfly nets, mine them from underground or create them in a laboratory.  They also anxiously cultivate the individual plants they have been assigned, knowing that if a child’s plant dies, he disappears from the orphanage as if he never existed. But they long to solve the mystery of why, despite the elaborate systems the adults have built, they have never seen the discovery of a miracle. The presentation of morality lessons at the story’s end is uncharacteristically heavy-handed but in line with the stylized nature of the story, offering the reader a happy ending in which the seekers are enlightened, the misguided corrected, all wrongs are righted and generosity and wisdom prevail. And although the final message may feel mundane, the road by which Neftzger approaches it is playful and creative.

An earnestly optimistic and uplifting fairy tale.

Pub Date: May 28, 2013

ISBN: 978-0984803484

Page Count: 310

Publisher: Fog Ink

Review Posted Online: March 8, 2013

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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MAYBE

More gift book than storybook, this is a meaningful addition to nursery bookshelves

A young child explores the unlimited potential inherent in all humans.

“Have you ever wondered why you are here?” asks the second-person narration. There is no one like you. Maybe you’re here to make a difference with your uniqueness; maybe you will speak for those who can’t or use your gifts to shine a light into the darkness. The no-frills, unrhymed narrative encourages readers to follow their hearts and tap into their limitless potential to be anything and do anything. The precisely inked and colored artwork plays with perspective from the first double-page spread, in which the child contemplates a mountain (or maybe an iceberg) in their hands. Later, they stand on a ladder to place white spots on tall, red mushrooms. The oversized flora and fauna seem to symbolize the presumptively insurmountable, reinforcing the book’s message that anything is possible. This quiet read, with its sophisticated central question, encourages children to reach for their untapped potential while reminding them it won’t be easy—they will make messes and mistakes—but the magic within can help overcome falls and failures. It’s unlikely that members of the intended audience have begun to wonder about their life’s purpose, but this life-affirming mood piece has honorable intentions. The child, accompanied by an adorable piglet and sporting overalls and a bird-beaked cap made of leaves, presents white.

More gift book than storybook, this is a meaningful addition to nursery bookshelves . (Picture book. 2-8)

Pub Date: Sept. 15, 2019

ISBN: 978-1-946873-75-0

Page Count: 40

Publisher: Compendium

Review Posted Online: May 21, 2019

Kirkus Reviews Issue: June 15, 2019

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