A playful introduction to various art movements, albeit a narrow one with weak backmatter.
A range of art styles is explored in this picture book that invites readers to imagine how various artists would paint a snowman.
An anthropomorphic hamster wields a paintbrush in opening double-page spreads alongside narration that never mentions it. “If someone asked you to paint a snowman, you would probably start with three white circles stacked upon one another.” The hamster is doing exactly that. It then describes how 17 different artists would paint a snowman, describing diverse styles, techniques, and movements. Diversity ends on that note, however, with only three women among the 17 artists (Georgia O’Keefe, Pablita Velarde, and Sonia Delaunay), one person of color (Jacob Lawrence) and one Native person (Pablita Velarde). The examples of the art mimic some of the artists’ famous paintings but incorporate imagined snowmen into them. For example, Dali’s “snowmen drip like melted cheese” in a double-page spread that emulates The Persistence of Memory with flattened, drooping snowmen rather than timepieces depicted on the surreal landscape. The off-and-on reappearance of the artist hamster seems a bit intrusive, but a closing spread with a blank easel nicely invites readers to copy it and make their own snowman painting. Endnotes provide further context about the artists, but they do not consistently name the referenced paintings or provide sources for quotations.
A playful introduction to various art movements, albeit a narrow one with weak backmatter. (Picture book. 5-9)Pub Date: Oct. 17, 2017
ISBN: 978-0-88448-593-3
Page Count: 36
Publisher: Tilbury House
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
BOOK REVIEW
BOOK REVIEW
Self-serving to be sure but also chock-full of worthy values and sentiments.
The junior senator from California introduces family and friends as everyday superheroes.
The endpapers are covered with cascades of, mostly, early childhood snapshots (“This is me contemplating the future”—caregivers of toddlers will recognize that abstracted look). In between, Harris introduces heroes in her life who have shaped her character: her mom and dad, whose superpowers were, respectively, to make her feel special and brave; an older neighbor known for her kindness; grandparents in India and Jamaica who “[stood] up for what’s right” (albeit in unspecified ways); other relatives and a teacher who opened her awareness to a wider world; and finally iconic figures such as Thurgood Marshall and Constance Baker Motley who “protected people by using the power of words and ideas” and whose examples inspired her to become a lawyer. “Heroes are…YOU!” she concludes, closing with a bulleted Hero Code and a timeline of her legal and political career that ends with her 2017 swearing-in as senator. In group scenes, some of the figures in the bright, simplistic digital illustrations have Asian features, some are in wheelchairs, nearly all are people of color. Almost all are smiling or grinning. Roe provides everyone identified as a role model with a cape and poses the author, who is seen at different ages wearing an identifying heart pin or decoration, next to each.
Self-serving to be sure but also chock-full of worthy values and sentiments. (Picture book/memoir. 5-8)Pub Date: Jan. 8, 2019
ISBN: 978-1-984837-49-3
Page Count: 40
Publisher: Philomel
Review Posted Online: Jan. 7, 2019
Kirkus Reviews Issue: Feb. 1, 2019
IN THE NEWS
IN THE NEWS
IN THE NEWS
Sage, soothing ideas for a busy, loud, sometimes-divisive world.
In an inviting picture book, Chelsea and Hillary Clinton share personal revelations on how gardening with a grandmother, a mother, and children shapes and nurtures a love and respect for nature, beauty, and a general philosophy for life.
Grandma Dorothy, the former senator, secretary of state, and presidential candidate’s mother, loved gardens, appreciating the multiple benefits they yielded for herself and her family. The Clinton women reminisce about their beloved forebear and all she taught them in a color-coded, alternating text, blue for Chelsea and green for Hillary. Via brief yet explicit remembrances, they share what they learned, observed, and most of all enjoyed in gardens with her. Each double-page spread culminates in a declarative statement set in italicized red text invoking Dorothy’s wise words. Gardens can be many things: places for celebration, discovery and learning, vehicles for teaching responsibility in creating beauty, home to wildlife large and small, a place to share stories and develop memories. Though operating from very personal experience rooted in class privilege, the mother-daughter duo mostly succeeds in imparting a universally significant message: Whether visiting a public garden or working in the backyard, generations can cultivate a lasting bond. Lemniscates uses an appropriately floral palette to evoke the gardens explored by these three white women. A Spanish edition, Los jardines de la abuela, publishes simultaneously; Teresa Mlawer’s translation is fluid and pleasing, in at least one case improving on the original.
Sage, soothing ideas for a busy, loud, sometimes-divisive world. (Picture book. 5-8)Pub Date: March 31, 2020
ISBN: 978-0-593-11535-0
Page Count: 40
Publisher: Philomel
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
BOOK REVIEW
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