By highlighting Lady Day’s affectionate relationship with Mister, Novesky and Newton invite readers to admire the...
Using simple, reductive prose, this appreciation of jazz great Holiday focuses on the dogs in the singer’s life.
“Lady Day’s dogs were her best friends of all.” Novesky supports this assertion with evidence: a pocket-sized poodle, a beagle, Chihuahuas; a mutt called Rajah Ravoy. But the spotlight’s on Mister, Holiday’s elegant, devoted boxer, who went to gigs, dined on steaks and even wore a mink coat. While an author’s note provides background, the text is resolutely oblique on the subject of Holiday’s 1947 drug conviction and jail time. “[J]ust when her career was at the top, Lady got into trouble. She had to leave home for a year and a day. And Mister couldn’t come.” While much of the narrative is fact-based, Novesky does take an acknowledged liberty in speculating that Mister might have attended Billie’s successful post-prison show at Carnegie Hall. (Illustrator Newton places Mister there, on the final spread.) Newton’s appealing mixed-media pictures, containing elements of gouache, charcoal, collage and digital layering, range from images derived from concert photos to a playful imagining of napkin-draped Mister drooling over a steak. Her reliance on period photos has one drawback: Holiday’s face and physique alter in several spreads, belying the compressed, undated narrative arc.
By highlighting Lady Day’s affectionate relationship with Mister, Novesky and Newton invite readers to admire the illustrious singer in a sparkling new light. (author’s note, website, adult bibliography) (Picture book/biography. 4-8)Pub Date: June 18, 2013
ISBN: 978-0-15-205806-7
Page Count: 32
Publisher: Harcourt
Review Posted Online: April 2, 2013
Kirkus Reviews Issue: May 1, 2013
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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