Brilliant, at once dense and ethereal; rewards multiple readings.



Ratto Parks’ (Song of Days, Torn and Mended, 2015, etc.) mosaic novel pieces together the inner life of a woman through a succession of prose poems.

After alliteratively establishing her “normalcy” in the prologue—“Before you know the rest, you should know this: I live in a pleasant house on a quiet street in a modern-day Mayberry with mountains”—Ratto Parks’ protagonist proceeds to tell of her most irregular inner being in a series of poetic vignettes. The pieces focus on a man, perhaps a muse, perhaps a ghost, or maybe an adult version of an imaginary friend, a conjured personification of cravings, desires, and thwarted fulfillment; he is sometimes a lover, sometimes cruel, and sometimes just a friend playing catch with a baseball. Ratto Parks’ work is contemplative and original: “I sat at the end of the long hall of myself watching my life while I witnessed all of those sacred places invaded” or “the silent ghost of old traffic made every sound bright.” She augments her own polished verse with references, allusions, and outright quotes from a wide variety of people and sources: Dante, T.S. Eliot, James Joyce, R.M. Rilke, and even John Wayne. Hallucinatory and dreamlike, the author repeatedly considers themes of loss either in water (“Then we finally gave in to the stones in our pockets and we sank through the salt brine”) or simply into thin air (“off like kites blowing endless through the ether”). Throughout, her dream man and dream land prove as fickle as reality. He often comes and goes at whim; appearing and disappearing without warning: “He was there after the rain, in the night lawns, thick and arcing, and I could feel him leaving me, falling away from the fabric of human air.”

Brilliant, at once dense and ethereal; rewards multiple readings.

Pub Date: Nov. 15, 2018

ISBN: 978-1-61019-114-2

Page Count: 84

Publisher: Folded Word

Review Posted Online: Oct. 31, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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Cheerfully engaging.


From Australian Moriarty (The Last Anniversary, 2006, etc.), domestic escapism about a woman whose temporary amnesia makes her re-examine what really matters to her.

Alice wakes from what she thinks is a dream, assuming she is a recently married 29-year-old expecting her first child. Actually she is 39, the mother of three and in the middle of an acrimonious custody battle with her soon-to-be ex-husband Nick. She’s fallen off her exercise bike, and the resulting bump on her head has not only erased her memory of the last 10 years but has also taken her psychologically back to a younger, more easygoing self at odds with the woman she gathers she has become. While Alice-at-29 is loving and playful if lacking ambition or self-confidence, Alice-at-39 is a highly efficient if too tightly wound supermom. She is also thin and rich since Nick now heads the company where she remembers him struggling in an entry-level position. Alice-at-29 cannot conceive that she and Nick would no longer be rapturously in love or that she and her adored older sister Elisabeth could be estranged, and she is shocked that her shy mother has married Nick’s bumptious father and taken up salsa dancing. She neither remembers nor recognizes her three children, each given a distinct if slightly too cute personality. Nor does she know what to make of the perfectly nice boyfriend Alice-at-39 has acquired. As memory gradually returns, Alice-at-29 initially misinterprets the scattered images and flashes of emotion, especially those concerning Gina, a woman who evidently caused the rift with Nick. Alice-at-29 assumes Gina was Nick’s mistress, only to discover that Gina was her best friend. Gina died in a freak car accident and in her honor, Alice-at-39 has organized mothers from the kids’ school to bake the largest lemon meringue pie on record. But Alice-at-29 senses that Gina may not have been a completely positive influence. Moriarty handles the two Alice consciousnesses with finesse and also delves into infertility issues through Elizabeth’s diary.

Cheerfully engaging.

Pub Date: June 2, 2011

ISBN: 978-0-399-15718-9

Page Count: 432

Publisher: Amy Einhorn/Putnam

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: March 15, 2011

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