by Amy Shearn ‧ RELEASE DATE: Sept. 29, 2020
Like the ghosts who inhabit its pages, the novel lingers long after you’ve put it down.
A ghost story that focuses not on a single spirit but on an entire city whose layered history haunts its occupants.
“Meg had the unsettling sense that she was seeing all the layers of the city transposed over one another, like scrims in a play going haywire.” Meg Rhys proudly carries her “Spinster Librarian card” and does not believe in love, thank you very much. Instead she believes in ghosts, and in New York City there is no shortage of phantasmal company. Haunted by (accompanied by?) the ghost of her sister, who died at 25, Meg armors herself with the weapons that might otherwise be used to attack her: She’s 40 and single, she’s a librarian, and she has a cat named Virginia Wolf (a misspelling only Meg finds funny as well as a wink toward Shearn’s fondness for multi-comma’d sentences). When handsome Ellis Williams approaches Meg at her Brooklyn library to help him uncover the truth about a rental property his father owns in Bedford-Stuyvesant, the circumstances seem ripe for a traditional romantic comedy—that is if their trauma and grief weren’t compounded by the occult. The two of them undertake an obsessive research project as they peel back the layers of the house, and the city itself. Largely focused on Meg, the omniscient narrator occasionally switches to the perspective of a young Black girl whose story is slowly revealed. At times Shearn’s exploration of topics as weighty as gentrification, police brutality, and Black trauma comes off oversimplified and overfiltered by the White heroine. That said, it is clear that Shearn has done her research—and details about the free Black settlement Weeksville in particular are treated with sensitivity and knowledge. Ultimately, the novel is as much a haunting by the geography of New York as it is the story of a few souls who live—or have lived—there.
Like the ghosts who inhabit its pages, the novel lingers long after you’ve put it down.Pub Date: Sept. 29, 2020
ISBN: 978-1-59709-367-5
Page Count: 272
Publisher: Red Hen Press
Review Posted Online: Aug. 18, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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by Amy Shearn
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by Amy Shearn
by Hannah Kaner ‧ RELEASE DATE: March 12, 2024
A bold series continuation from a fantasy author to watch.
In a world where old gods can pass away, new divinities may be born.
Hseth, the fire god whose cult murdered Kissen’s family in Godkiller (2023), is no more. However, problems continue to mount for the intrepid young warriors who managed to kill her. The orphaned Inara and her minor-god companion, Skedi, persevere on a seemingly unending search for answers—she to the questions surrounding her paternity, he to an illustrious past he cannot recall. In the aftermath of the climactic battle, King Arren has chosen a path that his best friend, Elo the baker-knight, cannot bring himself to follow, and Elo must reckon with the ramifications of turning his back on his liege. Just as Arren stokes the fires of his own illicit cult—with himself as figurehead—a resistance movement to save what remains of the world’s outlawed gods begins to heat up. Unable to come to terms with Elo’s desire to keep her away from the dangers of war, Inara makes a rash decision that ultimately sets the stage for mass unrest shortly before Arren’s victory tour arrives at their doorstep. Meanwhile, a presumed-dead Kissen fights her way back from the shores of the god who saved her life, only to find herself at odds with her friends’ and family’s goals. You see, Elo, Inara, and the rest have forgotten one very simple rule: Dead gods can always come back. Tested alliances fuel this tightly plotted found-family thrill ride. The worldbuilding is complex, but the reader never feels bogged down beneath its weight. As with the previous installment, queerness and disability are woven into the fabric of the narrative; Kissen and her sisters are queer and disabled, a prominent secondary character is transgender, and several tertiary couples are gay and lesbian. Although the pacing does become a little too frenetic in the novel’s final chapters, as the point of view switches rapidly among protagonists, Kaner has penned another page-turner in this projected trilogy.
A bold series continuation from a fantasy author to watch.Pub Date: March 12, 2024
ISBN: 9780063350106
Page Count: 384
Publisher: Harper Voyager
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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by Hannah Kaner
by Anna Quindlen ‧ RELEASE DATE: March 12, 2024
While Quindlen may lean too hard on the hope motif at the end, this is an emotionally satisfying, absorbing story.
When the title character dies suddenly of an aneurysm, her husband, four children and best friend must deal with their grief and find a path forward.
Annie Fonzheimer grew up in small-town Greengrass, Pennsylvania, and never left. She married “too fast and too young” when she got pregnant by local boy Bill Brown, a plumber by trade. Annie works long hours as an aide at a nursing home and tends to her four children, ages 6 to 13, in a small house that belongs to her mother-in-law, the prickly Dora. But Annie, high-spirited and much adored, is content with her “lovely reliable” life, even if it’s not exactly what she’d expected. She’s a vibrant presence in this novel, despite getting bumped off in the first sentence. Quindlen weaves Annie’s backstory with an account of her survivors, who suffer mightily in her absence. Without her mother, eldest child Ali watches over her younger siblings and navigates a friendship with a girl who harbors a disturbing secret. Best pal Annemarie, whom Annie helped save from drug addition, must decide if she can persevere without her friend’s steadying hand. And Bill, who wasn’t sure about marrying Annie at first—and then found he couldn’t imagine life without her—must sort out his feelings for a woman he was involved with before his wife. Quindlen, whose own mother died when she was 19, is good at this sort of domestic drama, elevating material that might seem over-familiar, even maudlin in other hands; the well-drawn characters and sharp observations keep the reader engaged. “Maybe grief was like homesickness,” Bill muses at one point, “something that wasn’t just about a specific person, but about losing that feeling that you were where you belonged….” Actually, not a lot happens until the novel’s final section, in which, arguably, too much happens.
While Quindlen may lean too hard on the hope motif at the end, this is an emotionally satisfying, absorbing story.Pub Date: March 12, 2024
ISBN: 9780593229804
Page Count: 304
Publisher: Random House
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
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