by Analía Kevorkian illustrated by Horacio Gatto developed by Zentric ‧ RELEASE DATE: June 17, 2011
Great story idea, beautiful and well-functioning graphics—but mildly lacking in delivery.
A child lies in bed contemplating what various nighttime sounds might be.
Lights are switched off, no one else is around and strange noises fuel an already-jumpy imagination. In this story, the protagonist hears assorted sounds and imagines numerous dangers and crises. Perhaps there’s a wild animal loose, and the police are chasing it. There's been an earthquake—but rescuers are on the way. Each presumption is fueled by everyday sounds, including a passing motorcycle, a whistling teakettle and footsteps on stairs. Each disruption is introduced by an image of what is really making the noise, followed by the protagonist’s ever-more-bloodshot eyes staring out of the dark; his thoughts appear as sentences that curl around his eyes, so he is literally surrounded by his fears. The story clearly demonstrates that many fears are silly conjectures that have no basis in fact. It’s likely to spawn conversations about being afraid of the dark—or anything, for that matter. Native English speakers may find the narrator’s heavy accent distracting (she refers to a “wild and hang-ry animal,” talks rapidly and even sounds downright sultry at times). The story can be narrated or read in English, Spanish or Italian, and the read- and record-it-myself options include original sound effects. Marionette-like characters, well-crafted animation and angled, floating text add significant graphic appeal. There’s even a painting feature that allows creations to be emailed directly from the iPad.
Great story idea, beautiful and well-functioning graphics—but mildly lacking in delivery. (iPad storybook app. 4-9)Pub Date: June 17, 2011
ISBN: N/A
Page Count: -
Publisher: Zentric
Review Posted Online: July 20, 2011
Kirkus Reviews Issue: Aug. 15, 2011
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by Susan Verde ; illustrated by Peter H. Reynolds ‧ RELEASE DATE: Sept. 13, 2016
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
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by Dav Pilkey ; illustrated by Dav Pilkey ; color by Jose Garibaldi ‧ RELEASE DATE: Aug. 30, 2016
What a wag.
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What do you get from sewing the head of a smart dog onto the body of a tough police officer? A new superhero from the incorrigible creator of Captain Underpants.
Finding a stack of old Dog Mancomics that got them in trouble back in first grade, George and Harold decide to craft a set of new(ish) adventures with (more or less) improved art and spelling. These begin with an origin tale (“A Hero Is Unleashed”), go on to a fiendish attempt to replace the chief of police with a “Robo Chief” and then a temporarily successful scheme to make everyone stupid by erasing all the words from every book (“Book ’Em, Dog Man”), and finish off with a sort of attempted alien invasion evocatively titled “Weenie Wars: The Franks Awaken.” In each, Dog Man squares off against baddies (including superinventor/archnemesis Petey the cat) and saves the day with a clever notion. With occasional pauses for Flip-O-Rama featurettes, the tales are all framed in brightly colored sequential panels with hand-lettered dialogue (“How do you feel, old friend?” “Ruff!”) and narrative. The figures are studiously diverse, with police officers of both genders on view and George, the chief, and several other members of the supporting cast colored in various shades of brown. Pilkey closes as customary with drawing exercises, plus a promise that the canine crusader will be further unleashed in a sequel.
What a wag. (Graphic fantasy. 7-9)Pub Date: Aug. 30, 2016
ISBN: 978-0-545-58160-8
Page Count: 240
Publisher: Graphix/Scholastic
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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