THE SICILIAN METHOD

A thespian is stabbed in the heart. Was the killer sending a message?

Curmudgeonly Inspector Montalbano is awakened in the middle of the night by Detective Mimì Augello, in great distress because his tryst with beautiful Genoveffa Recchia was ruined by the surprise return of her husband, Martino. Escaping onto the balcony, Mimì lowered himself to the apartment below and sneaked into the bedroom, where he discovered a corpse. Montalbano scolds Mimì for hastily leaving the scene. The dead man, Carmelo Catalanotti, seemed, according to his talkative cleaning lady, to have no job and many lady friends. He was likely stabbed elsewhere and moved to his blood-free apartment. Montalbano, Mimì, and Fazio, another veteran detective, begin by questioning all the residents and employees in the building. One shares his belief that the man was a drug dealer. Several folders that document activity surrounding money, maybe as a loan shark, raise many questions and offer few answers. An emotional visit to the police from Rosario Lo Savio that tearfully recounts a final meeting with his friend Carmelo, a key member of an “important” theater company, introduces a crazy cast of high-maintenance suspects. Montalbano’s awkwardness with the opposite sex is on full comic display in his flirtation with the mysterious Antonia, complicated further by his temperamental longtime love, Livia. Unraveling the case of young Nico Dilicata, who reports being shot in the leg, leads Montalbano in a surprising direction.

The late Camilleri’s antepenultimate novel again combines divinely deadpan drollery with a clever puzzle.