This distinctive biography brims with artistic vision as it informs about a signature sculptor.

A LIFE MADE BY HAND

THE STORY OF RUTH ASAWA

The simplest objects can turn into art when you draw from life, nature, and personal passion.

Fascinated by a snail’s shell, gossamer dragonfly wings, and a spider’s complex web, Ruth Asawa carefully observed tiny details around her family farm, her hands constantly busy with found objects such as wire and paper. Simple, straightforward text tells how she drew inspiration from Japanese calligraphy, dancers who bent their bodies into shapes, and craftsmen in Mexico who twisted wire baskets. With this last, Ruth had found her medium and her lifelong obsession. Her own wire structures became graceful, weightless works of art, looped structures that invited others to look closely and imagine what they see, providing inspiration to future young artists. Charcoal-and–colored-pencil drawings combine with hand-painted and monoprinted paper in a striking collage representation of Asawa’s work. D’Aquino provides close-ups of the snail and dragonfly, a landscape layout of basket craftsmen, and a geometric kaleidoscope of squares layered upon squares, offering a variety of perspectives and media. An author’s note explains her inspiration for the book and offers sobering facts about the Asawa family’s internment in various camps—facts that are omitted from the story proper. Additional resources enable young artists to discover this artist’s work for themselves and offer step-by-step instructions to create a folded paper dragonfly.

This distinctive biography brims with artistic vision as it informs about a signature sculptor. (Picture book/biography. 5-8)

Pub Date: Sept. 3, 2019

ISBN: 978-1-61689-836-6

Page Count: 40

Publisher: Princeton Architectural Press

Review Posted Online: June 10, 2019

Kirkus Reviews Issue: July 1, 2019

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A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...

BEFORE SHE WAS HARRIET

A memorable, lyrical reverse-chronological walk through the life of an American icon.

In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.

A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)

Pub Date: Nov. 7, 2017

ISBN: 978-0-8234-2047-6

Page Count: 32

Publisher: Holiday House

Review Posted Online: Aug. 7, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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Self-serving to be sure but also chock-full of worthy values and sentiments.

SUPERHEROES ARE EVERYWHERE

The junior senator from California introduces family and friends as everyday superheroes.

The endpapers are covered with cascades of, mostly, early childhood snapshots (“This is me contemplating the future”—caregivers of toddlers will recognize that abstracted look). In between, Harris introduces heroes in her life who have shaped her character: her mom and dad, whose superpowers were, respectively, to make her feel special and brave; an older neighbor known for her kindness; grandparents in India and Jamaica who “[stood] up for what’s right” (albeit in unspecified ways); other relatives and a teacher who opened her awareness to a wider world; and finally iconic figures such as Thurgood Marshall and Constance Baker Motley who “protected people by using the power of words and ideas” and whose examples inspired her to become a lawyer. “Heroes are…YOU!” she concludes, closing with a bulleted Hero Code and a timeline of her legal and political career that ends with her 2017 swearing-in as senator. In group scenes, some of the figures in the bright, simplistic digital illustrations have Asian features, some are in wheelchairs, nearly all are people of color. Almost all are smiling or grinning. Roe provides everyone identified as a role model with a cape and poses the author, who is seen at different ages wearing an identifying heart pin or decoration, next to each.

Self-serving to be sure but also chock-full of worthy values and sentiments. (Picture book/memoir. 5-8)

Pub Date: Jan. 8, 2019

ISBN: 978-1-984837-49-3

Page Count: 40

Publisher: Philomel

Review Posted Online: Jan. 8, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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