by Andrea Lee ‧ RELEASE DATE: March 23, 2021
An utterly captivating, richly detailed, and highly critical vision of how the one percent lives in neocolonial paradise.
When she weds an Italian tycoon, an African American intellectual becomes the unwilling mistress of an estate in Madagascar.
They meet at a wedding in Como, Italy, a case of opposites attract. "To Shay, fresh out of graduate school, Senna is a new experience: this cheeky, charismatic Italian a decade and a half older than she is, a businessman...who...has bought part of an actual island." During their courtship, Senna builds the Red House, a tropical mansion whose architectural influences range from Indonesia to Antigua to Disney World, staffing it with an army of locals and a Greek house manager, to provide a setting for an annual holiday throughout their married life. In a series of tales set over two decades, Shay has a love-hate relationship with the estate and her role there; she is "expected to pass her holiday months not as a sojourner comfortably decompressing from a busy Milan life of teaching and translating and chivying her college-bound kids, but as a vigilant matriarch who exerts iron control—even if it is part-time—over the work ethic, health, and morality of her numerous Malagasy household staff." Gorgeous writing, fascinating stories, and a vibrant cast of locals and expats dance around this basic theme. One of Shay's early allies is Bertine La Grande, the head housekeeper, who helps her use witchcraft to undo the wrongs wrought by her husband and the evil manager. Another thread depicts the rivalry between two powerful women, one a restaurateur and the other a bar owner. Against a background of myth and magic, as well as racism, sex tourism, and exploitation, the never-perfect match between Senna and Shay continues to devolve.
An utterly captivating, richly detailed, and highly critical vision of how the one percent lives in neocolonial paradise.Pub Date: March 23, 2021
ISBN: 978-1-982137-80-9
Page Count: 288
Publisher: Scribner
Review Posted Online: Dec. 24, 2020
Kirkus Reviews Issue: Jan. 15, 2021
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by Andrea Lee
by Barbara Kingsolver ‧ RELEASE DATE: Oct. 18, 2022
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
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New York Times Bestseller
Pulitzer Prize Winner
Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.
It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.Pub Date: Oct. 18, 2022
ISBN: 978-0-06-325-1922
Page Count: 560
Publisher: Harper/HarperCollins
Review Posted Online: July 13, 2022
Kirkus Reviews Issue: Aug. 1, 2022
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SEEN & HEARD
PERSPECTIVES
SEEN & HEARD
by Claire Lombardo ‧ RELEASE DATE: June 25, 2019
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
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SEEN & HEARD
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