Drawn in part from the true-life diaries of Maria Spada, this unusual novel, reflecting the war in microcosm, captures a...
War and resistance, sexual awakening and shell shock, sacrifice and survival color the extreme coming-of-age of an Italian teenager experiencing the last year of World War I among the gentry in a small country town.
Humor overlays tragedy in Molesini’s impressively controlled, gently paced, ultimately piercing debut. The setting is the Villa Spada in Refrontolo, Italy, home to an aristocratic family—two grandparents; aunt Maria; 17-year-old orphaned grandson Paolo—and their servants. It’s 1917 and, with occupying German troops billeted in the town, atrocities have been committed: women have been raped; valuables looted. While the family attempts to maintain its role in the community, Paolo assists its steward, Renato, a member of military intelligence, in running missions, including rescuing a downed British pilot. Times are hard, food is short, and life is perilous, yet Molesini’s portrait of the community is delivered with a light, often wry touch. Grandma’s enemas are a weekly ritual and her enema bags a good place to hide valuables. The villa’s shutters and washing line are used to send coded messages. And Paolo’s adventures with Renato are matched, for thrills, by his sexual relationship with Giulia, a beautiful but unpredictable older woman. But tragedy gradually takes the upper hand. The German troops are replaced by Austro-Hungarians who, as the 1918 offensive begins, suffer devastating losses; and Paolo, assisting with the wounded and on a steep learning curve, eventually plays his own part in the historic proceedings. While Molesini can’t refrain from dropping plangent hints about the world that awaits after this war is over, it’s the tragic impact on the Spada family that the reader will remember.
Drawn in part from the true-life diaries of Maria Spada, this unusual novel, reflecting the war in microcosm, captures a turning point in the fates of empires.Pub Date: Feb. 2, 2016
ISBN: 978-0-8021-2434-0
Page Count: 352
Publisher: Grove
Review Posted Online: Nov. 4, 2015
Kirkus Reviews Issue: Nov. 15, 2015
Steinbeck is a genius and an original.
Steinbeck refuses to allow himself to be pigeonholed.
This is as completely different from Tortilla Flat and In Dubious Battle as they are from each other. Only in his complete understanding of the proletarian mentality does he sustain a connecting link though this is assuredly not a "proletarian novel." It is oddly absorbing this picture of the strange friendship between the strong man and the giant with the mind of a not-quite-bright child. Driven from job to job by the failure of the giant child to fit into the social pattern, they finally find in a ranch what they feel their chance to achieve a homely dream they have built. But once again, society defeats them. There's a simplicity, a directness, a poignancy in the story that gives it a singular power, difficult to define. Steinbeck is a genius and an original.Pub Date: Feb. 26, 1936
ISBN: 0140177396
Page Count: 83
Publisher: Covici, Friede
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Feb. 1, 1936
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A novel of horrific beauty, where death is the only truth.
Even within the author’s extraordinary body of work, this stands as a radical achievement, a novel that demands to be read and reread.
McCarthy (No Country for Old Men, 2005, etc.) pushes his thematic obsessions to their extremes in a parable that reads like Night of the Living Dead as rewritten by Samuel Beckett. Where much of McCarthy’s fiction has been set in the recent past of the South and West, here he conjures a nightmare of an indeterminate future. A great fire has left the country covered in layers of ash and littered with incinerated corpses. Foraging through the wasteland are a father and son, neither named (though the son calls the father “Papa”). The father dimly remembers the world as it was and occasionally dreams of it. The son was born on the cusp of whatever has happened—apocalypse? holocaust?—and has never known anything else. His mother committed suicide rather than face the unspeakable horror. As they scavenge for survival, they consider themselves the “good guys,” carriers of the fire, while most of the few remaining survivors are “bad guys,” cannibals who eat babies. In order to live, they must keep moving amid this shadowy landscape, in which ashes have all but obliterated the sun. In their encounters along their pilgrimage to the coast, where things might not be better but where they can go no further, the boy emerges as the novel’s moral conscience. The relationship between father and son has a sweetness that represents all that’s good in a universe where conventional notions of good and evil have been extinguished. Amid the bleakness of survival—through which those who wish they’d never been born struggle to persevere—there are glimmers of comedy in an encounter with an old man who plays the philosophical role of the Shakespearean fool. Though the sentences of McCarthy’s recent work are shorter and simpler than they once were, his prose combines the cadence of prophecy with the indelible images of poetry.
A novel of horrific beauty, where death is the only truth.Pub Date: Oct. 2, 2006
ISBN: 0-307-26543-9
Page Count: 288
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2006
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