A meticulously researched history of maritime tragedy.
Biography/history of a 16th-century Dutchman who sailed courageously to the North Pole.
Pitzer, a journalist who last wrote a global history of concentration camps, draws on diaries, archival material, and her own three trips to the Arctic to recount, in exhaustive detail, three arduous journeys carried out by navigator William Barents in search of a northern route to the Far East. Barents was in his mid-40s, with a wife and five children, when, in 1594, he joined an exploratory fleet whose mission was part of the Dutch Republic’s effort to “transform their country into a world power.” The first expedition was successful: After traveling more than 3,000 miles, the fleet identified two possible routes to China, and every sailor returned home safely. The second expedition, though, had worse luck. The seven ships that sailed in 1595 constantly feared being trapped by ice; weathered violent storms; and battled polar bears, which attacked and ate two sailors. Morale plummeted, and the ringleaders of a mutiny were hanged. Barents’ third expedition, which set out in 1596, proved disastrous. “They’d sailed once more into merciless terrain without even basic strategies to survive in it,” Pitzer writes, and they became locked in ice, forcing them to overwinter in the Arctic. The author chronicles the crew’s daily experiences, hauling lumber for miles, dismantling their ship for planks, building a shelter, hunting for meat, and surviving temperatures that dropped to 30 degrees below zero. They were weakened and ill from scurvy and once poisoned themselves from eating bear liver. By the time they freed two small boats from the ice and sailed for home, several had died. Though Barents succumbed during the return and had found no northern route to China, he became legendary, leaving a legacy of determination and becoming “the patron saint of devoted error.” Although sometimes overwhelmed by repetitive detail, Pitzer’s narrative vividly conveys tension and terror.
A meticulously researched history of maritime tragedy.Pub Date: Jan. 12, 2021
ISBN: 978-1-982113-34-6
Page Count: 320
Publisher: Scribner
Review Posted Online: Oct. 12, 2020
Kirkus Reviews Issue: Nov. 1, 2020
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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