A smart if somewhat disjointed blend of social history and cultural criticism, far truer to the time than David Frum’s...
As those who were there know, 1973 wasn’t just about platforms and the Bay City Rollers.
It was much weirder than all that, as Killen (History/City College of New York) chronicles, arguing that the year was a watershed during which the countercultural glories of the ’60s crashed into the autism of the ’70s, which would unfold in the reactionary ’80s. Killen eschews firsthand memories, so he may not have been around to observe the weirdness up close, but he gamely re-creates the time; his opening montage of the death of baseball great Roberto Clemente, the opening of DFW and the hijacking rage is lovely. Whether 1973 was really a watershed is debatable, and Killen wisely brackets events with glimpses of ’72 and ’74, but he makes interesting connections along the way. It’s not news that An American Family, starring Lance Loud and his unhappy kin, was the first reality show; it is news to learn that Loud, no mere documentary subject, was playing to the camera in ways that he had learned from Andy Warhol—and not just from studying The Factory from afar, but from having corresponded with Warhol directly. (Those precocious teenagers of teenage-centric 1973!) The birth of media addiction aside, Killen makes a winning case, too, for seeing 1973 as a harbinger of our times in the matter of belief, charting the rise not just of Me Decade cults such as est but also of fundamentalist Christianity and offshoots such as the Children of God and the Moonies. There are a few false notes along the way (for one, the New York Dolls were never really popular, even in New York), but the author does a good job overall of keeping his narrative on track with his thesis, which should make no one nostalgic for the time of the SLA and dawning disco.
A smart if somewhat disjointed blend of social history and cultural criticism, far truer to the time than David Frum’s tsk-tsking How We Got Here (2000).Pub Date: April 4, 2006
ISBN: 1-59691-059-3
Page Count: 320
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2006
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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