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LIFE FINDS A WAY

WHAT EVOLUTION TEACHES US ABOUT CREATIVITY

Combining evolutionary biology with psychology to explain creativity is a stretch, but Wagner makes an ingenious case.

A thoughtful search for parallels between biological and human innovation.

No slouch at addressing big ideas, Wagner (Evolutionary Biology/Univ. of Zurich) took the first step in Arrival of the Fittest: Solving Evolution’s Greatest Puzzle (2014), which explained life’s spectacular transformation over 4 billion years since its origin. Summarizing that earlier book, he emphasizes that “every one of the millions of species alive today is the most recent link in a nearly endless chain of creative achievement that goes back all the way to life’s origin. Every organism is the product of countless innovations, from the molecular machines inside its cells to the physical architecture of its body.” Most readers associate evolution with Darwinian natural selection, but Wagner points out its limited creative capacity. In natural selection, a better adapted organism produces more offspring. This preserves good traits and discards bad ones until it reaches a peak of fitness. This process works perfectly in an “adaptive landscape” with a single peak, but it fails when there are many—and higher—peaks. Conquering the highest—true creativity—requires descending into a valley and trying again. Natural selection never chooses the worse over the better, so it can’t descend. Wagner devotes most of his book to the 20th-century discovery of the sources of true biological creativity: genetic drift, recombination, and other processes that inject diversity into the evolutionary process. His final section on human creativity contains less hard science but plenty of imagination. The human parallel with natural selection is laissez faire competition, which is efficient but equally intolerant of trial and error. Far more productive are systems that don’t penalize failure but encourage play, experimentation, dreaming, and diverse points of view. In this vein, American schools fare poorly, but Asian schools are worse.

Combining evolutionary biology with psychology to explain creativity is a stretch, but Wagner makes an ingenious case.

Pub Date: June 11, 2019

ISBN: 978-1-5416-4533-2

Page Count: 320

Publisher: Basic Books

Review Posted Online: March 30, 2019

Kirkus Reviews Issue: April 15, 2019

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WHY FISH DON'T EXIST

A STORY OF LOSS, LOVE, AND THE HIDDEN ORDER OF LIFE

A quirky wonder of a book.

A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.

Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.

A quirky wonder of a book.

Pub Date: April 14, 2020

ISBN: 978-1-5011-6027-1

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: Jan. 1, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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SEVEN BRIEF LESSONS ON PHYSICS

An intriguing meditation on the nature of the universe and our attempts to understand it that should appeal to both...

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Italian theoretical physicist Rovelli (General Relativity: The Most Beautiful of Theories, 2015, etc.) shares his thoughts on the broader scientific and philosophical implications of the great revolution that has taken place over the past century.

These seven lessons, which first appeared as articles in the Sunday supplement of the Italian newspaper Sole 24 Ore, are addressed to readers with little knowledge of physics. In less than 100 pages, the author, who teaches physics in both France and the United States, cogently covers the great accomplishments of the past and the open questions still baffling physicists today. In the first lesson, he focuses on Einstein's theory of general relativity. He describes Einstein's recognition that gravity "is not diffused through space [but] is that space itself" as "a stroke of pure genius." In the second lesson, Rovelli deals with the puzzling features of quantum physics that challenge our picture of reality. In the remaining sections, the author introduces the constant fluctuations of atoms, the granular nature of space, and more. "It is hardly surprising that there are more things in heaven and earth, dear reader, than have been dreamed of in our philosophy—or in our physics,” he writes. Rovelli also discusses the issues raised in loop quantum gravity, a theory that he co-developed. These issues lead to his extraordinary claim that the passage of time is not fundamental but rather derived from the granular nature of space. The author suggests that there have been two separate pathways throughout human history: mythology and the accumulation of knowledge through observation. He believes that scientists today share the same curiosity about nature exhibited by early man.

An intriguing meditation on the nature of the universe and our attempts to understand it that should appeal to both scientists and general readers.

Pub Date: March 1, 2016

ISBN: 978-0-399-18441-3

Page Count: 96

Publisher: Riverhead

Review Posted Online: Dec. 7, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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