by Andrei Codrescu ‧ RELEASE DATE: March 1, 2000
Fans will delight in another window into Codrescu's shrewd and quirky mind - his confession of AOL addiction, his thoughts...
Novelist, poet, professor, and NPR commentator Codrescu (Hail Babylon!, 1998, etc.) brings his eclectic interests and unique slant to good, evil, and much, much more in this millennial collection of his latest essays.
Using Armageddon as a launching pad, Codrescu first puts "the ubiquitous devil of our secular culture" under a microscope, and he breaks down humanity's doomsday believers, from "paramilitary paranoids" to "optimistic New Agers." The essays that follow are loosely organized around the theme of evil, and as Codrescu comments on American, immigrant, and emigrant life, he uncovers its darker sides, toughing on the ills of social amnesia, hypocrisy, and government corruption. Romanian-born and now a New Orleans resident, Codrescu takes his readers from the heat of the French Quarter to the icy streets of Transylvania, from Kosovo to Chicago, and to cyberspace and back. His outlook is that of a cautious and comical pessimist, and he argues, "Everybody in the world feels sick and it's only Prozac, work, Bill Gates, and the media that keep us from realizing it." His tone, however, is not portentous or depressing but rather is accented with his distinctive brand of sarcasm and softened by his memories of childhood. Many of the essay topics fall in a gray area between highbrow academia and popular culture. Thus, Elvis, Carl Jung, The Unabomber, Allen Ginsberg, the Pied Piper, and Dante are among the men, sinister and otherwise, making appearances within his text. Yet too often Codrescu exercises a license to drift into murky waters. An essay on autobiography declares, "The memoir is a skeumorph," while in a more postmodern piece he insists, "Virtuality is television squared."
Fans will delight in another window into Codrescu's shrewd and quirky mind - his confession of AOL addiction, his thoughts on being a grandfather, and his strange yet convincing argument "Against Synchronicity." Others, though, may become lost in the many obscurities.Pub Date: March 1, 2000
ISBN: 0-312-20294-6
Page Count: 256
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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by Charlayne Hunter-Gault ‧ RELEASE DATE: Nov. 1, 1992
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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by John Carey ‧ RELEASE DATE: April 21, 2020
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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