Prolific belletrist, novelist, and NPR commentator Codrescu (The Blood Countess, 1995; Zombification, 1994; etc.) offers his trademark benign-oddball perspective on a broad array of cultural topics in another scattershot collection. Codrescu grew up in Communist Romania and came to America in 1966, and most of the essays here are either explicitly or implicitly about the experience of exile, whether linguistic, political, or geographical. The subject of computers and the Internet prompts several Luddite outbursts about the failure of communication; the titular pet's surgically implanted ID tag inspires a brief technophobic fantasy poised between humor and genuine uneasiness. Codrescu cocks an eye at young lesbians in San Francisco, a Japanese game show, Brancusi's life and sculpture, airline travel, and the faithful in Jerusalem. But he's at his best when his subjects are most personal. He anchors a diffuse piece about the complications and rewards of communicating across language barriers with a single perfect anecdote about arriving in Detroit without speaking any English and being befriended in a ghetto coffee shop. A pilgrimage to Mexico with his Castaneda-obsessed 14-year-old son sparks a splendid piece that poetically conflates his son's adolescent volatility and Mexico's tempestuous history. And his takes on life in Eastern Europe after the fall of Communism are acid reminders that the adoption of ``freedom'' and ``democracy'' has by no means solved most problems there. But when Codrescu riffs on abstractions, he tends to strain his whimsy to the point of opacity. From a piece on walls as metaphors: ``The only creature worthy of respect is the wallflower. A creature is a wall. Respect is space. Therefore, worth is the space one accords a wall. Whatever. Newcomers to Codrescu may be put off by some of his slapdash indulgences here, but his many fans will welcome the opportunity to roam around again in his quirky mind.
Pub Date: Aug. 1, 1996
ISBN: 0-312-14316-8
Page Count: 288
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1996
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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