Codrescu—never one to write for readers who, as he pegs them, "know what to expect from writers who know what they...
Essayist and editor, poet and professor, columnist, novelist, radio commentator, scriptwriter, translator, and all-round man-of-letters Codrescu (Road Scholar) presents his latest collection of essays.
The subject matter ranges from the mood in the author's native Transylvania (not great) to the mood in his adopted home, New Orleans (wonderful), and back to the food in Transylvania (bad). (Perhaps not since the great Aaron Lebedeff forsook the stage has there been such Romanian angst displayed this side of the Atlantic.) And there's more, of course: an obligatory ode to baseball; an offbeat interview with Robert Duvall, in which Duvall gets his due; and an unfocused, but affecting, talk about photography. A man of passionate insight and irony, Codrescu pulls it off with unrestrained style and pungent wit. He considers running for exercise to be a sacrilege: Running is "an extremely serious response to Cossacks chasing you with whips.'' Occasionally, the reader may not know where it's all going, but would be well advised nonetheless to stick with the recondite ambiguities while the author reviews a movie that virtually no one has seen, or deconstructs a literary journal that next to nobody in America has read. The trip is worth it.
Codrescu—never one to write for readers who, as he pegs them, "know what to expect from writers who know what they expect''—has cobbled together another interesting and generally entertaining fabrication, displaying an America occasionally shadowed by his former compatriot, Count Dracula.Pub Date: July 21, 1993
ISBN: 0-312-09354-3
Page Count: 208
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1993
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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