A thriller that entertainingly traverses well-traveled territory.
A debut murder mystery that revolves around a long-standing history of secrecy at the Vatican.
Anthony Hibbert is the head of classical studies at UCLA and spends most of his time researching ancient Roman texts, most recently at the Vatican Library Secret Archives. He becomes intoxicated by a series of letters written by a 16th-century monk, Federigo Dottore, who ultimately confessed to being an assassin of Pope Julius II. Meanwhile, the current pope prepares for a visit from Avinash Sullivan, a technology billionaire who fronts an activist movement that demands that the Vatican radically improve its transparency. Some people fear that powerful people, who want to keep the Vatican’s internal affairs hidden, may harm Sullivan, and Hibbert is recruited to warn him (although the explanation for his selection is confusing). Sullivan is murdered in his hotel and Hibbert is arrested as a prime suspect, but he’s quickly exonerated. He returns to his scholarly investigations, during which he stumbles upon previously undiscovered, sensual sketches by the famed artist Raphael. On the back of these drawings is Dottore’s handwriting, and a beautiful, Japanese security expert named Akemi Morishima helps Hibbert decipher it. When other suspects in Sullivan’s death are murdered, it complicates an already tangled affair. It’s easy to lose one’s bearings in this story’s swarm of twists and turns, and author Amezquita seems content to let readers stew in their confusion. However, Dottore’s letters, which are presented at considerable length, are a delight to read, as they’re simultaneously sinister and repentant. Also, the author does a marvelous job of making Hibbert a remarkable but endearingly human character. His vulnerability can be striking: “He cannot stop thinking about his date with Akemi while he repeatedly touches his wallet to feel the set of condoms he has slipped into it. Buying them had been an ordeal. He felt the humiliation of a teenager.” Murder mysteries that center on Vatican skullduggery have become a popular genre, and this fits almost too neatly within that formula. This book’s historical astuteness and crackling eroticism, though, justify ranking it among the better options of its type.
A thriller that entertainingly traverses well-traveled territory.Pub Date: March 4, 2016
ISBN: 978-0-692-58124-7
Page Count: 472
Publisher: CreateSpace
Review Posted Online: May 16, 2016
Review Program: Kirkus Indie
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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