by Andrew Clements ‧ RELEASE DATE: March 1, 2001
Clements (The Jacket, above, etc.) looks beyond grade school for the first time with a multifaceted rumination on selfhood and various forms of invisibility. Fifteen-year-old Bobby wakes up invisible one morning. His equally flummoxed parents, quickly grasping the personal and social dangers should the news get out, urge him to hole up at home. But boredom, worry, and the mutinous thought that he should have some say in the matter soon lead him into a string of adventurous outings, both wrapped up Invisible Man–style, and stark naked. Clements cranks up the stress with an ensuing traffic accident that puts both parents into the hospital, and, as weeks pass, the increasingly persistent attentions of the governmental child-welfare machine. He also provides a needed confidante for Bobby in Alicia, a teenager blinded by a head injury two years before and no stranger herself to that sense of being unseen. Both feeling angry, scared, and vulnerable, their relationship gets off to a wonderfully tumultuous start, but builds on a foundation of caring and loyalty into something solid enough to survive Bobby’s final return to visibility. As always, Clements’s genius for developing credible plot lines (even from oddball premises) makes suspension of disbelief no problem. His characters, each one fundamentally decent—there is never a chance that Bobby will go the way of the transparent voyeur in Cormier’s Fade (1988), for instance—are easy to like. A readable, thought-provoking tour de force, alive with stimulating ideas, hard choices, and young people discovering bright possibilities ahead. (Fiction. 11-15)
Pub Date: March 1, 2001
ISBN: 0-399-23626-0
Page Count: 256
Publisher: Philomel
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 2002
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by Andrew Clements & illustrated by Mark Elliott
by Nikki Grimes ‧ RELEASE DATE: Jan. 1, 2001
At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in...
This is almost like a play for 18 voices, as Grimes (Stepping Out with Grandma Mac, not reviewed, etc.) moves her narration among a group of high school students in the Bronx.
The English teacher, Mr. Ward, accepts a set of poems from Wesley, his response to a month of reading poetry from the Harlem Renaissance. Soon there’s an open-mike poetry reading, sponsored by Mr. Ward, every month, and then later, every week. The chapters in the students’ voices alternate with the poems read by that student, defiant, shy, terrified. All of them, black, Latino, white, male, and female, talk about the unease and alienation endemic to their ages, and they do it in fresh and appealing voices. Among them: Janelle, who is tired of being called fat; Leslie, who finds friendship in another who has lost her mom; Diondra, who hides her art from her father; Tyrone, who has faith in words and in his “moms”; Devon, whose love for books and jazz gets jeers. Beyond those capsules are rich and complex teens, and their tentative reaching out to each other increases as through the poems they also find more of themselves. Steve writes: “But hey! Joy / is not a crime, though / some people / make it seem so.”
At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in the poetry. (Fiction. 12-15)Pub Date: Jan. 1, 2001
ISBN: 0-8037-2569-8
Page Count: 176
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2001
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by Jerry Spinelli ‧ RELEASE DATE: Aug. 3, 2021
Characters to love, quips to snort at, insights to ponder: typical Spinelli.
For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.
On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.
Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)Pub Date: Aug. 3, 2021
ISBN: 978-0-593-30667-3
Page Count: 240
Publisher: Knopf
Review Posted Online: May 31, 2021
Kirkus Reviews Issue: June 15, 2021
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by Jerry Spinelli ; illustrated by Larry Day
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