Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2018

Next book

THE RELUCTANT HEALER

A vivid evocation of the conflict between reason and spirituality.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2018

A skeptical lawyer wrestles with a crisis of faith—gaining it, not losing it—as he discovers his own possibly supernatural powers in this debut novel of ideas.

Will Alexander is leading a mediocre, hollow life as an attorney for a Manhattan law firm when he meets Erica Wells, a social worker who incorporates New Age mysticism into her practice. He’s smitten by her green eyes; she’s smitten by his green aura, which only she can sense. Will takes Erica’s disparagement of Western evidence-based medicine in favor of “universal healing and energy”—featuring detoxification, herbal supplements, and regression therapy—for so much nonsense. But he puts up with her eccentric enthusiasms for the sake of her passion and vibrancy. But then, during a chance encounter, Will, with no effort or intention, apparently cures a legal client of an anxiety disorder. Others seek him out: He dispels a tech mogul’s fatal neurological ailment with a few minutes of meditation and sends an old man’s cancer into remission during a night of drinking. Will is nonplussed by all this: He doesn’t feel like he’s doing anything to cure people and thinks his successes might be a placebo effect or pure coincidence. Still, word of mouth creates demand for his services, so he sets up shop as the world’s most diffident healer, warning patients that he claims no special powers and makes no promises and telling them not to pay him unless they feel like it. Will’s self-disparagement perversely inspires trust, and his practice thrives—and makes him a target of a cynical investigative journalist intent on proving him a fraud. Himmel’s entertaining novel is on one level a fine comedy of ideological manners. Much of it unfolds in funny, awkward dinner-table conversations as Erica floats her ardent mystical beliefs and dares her dubious companions to mock them while they search for ways to steer the conversation to safer waters. The author’s sharply etched characters and smart, observant prose shrewdly capture the ways people think and talk about religious and philosophical issues. “I was always struck by how he managed to marshal an articulate discourse in defense of shallow insights,” Will muses of one blowhard, and he calls the earnest, didactic New Age tomes Erica presses on him “Soviet propaganda without the charm.” But the tale takes Will’s hangdog spiritual quest seriously while avoiding the clichés of New Age fiction. There are no revealed certitudes, no channeling of omniscient beings from the astral plane. Will remains a flawed, neurotic man torn between his lawyerly devotion to evidence and logic and the haunting, ambiguous glimpses of supernatural forces that intrude on him. He is perpetually in doubt about whether his abilities are real or just luck and hopeful figments of the imagination—especially when they fail. And they work no miraculous healing in his own life. His new calling often feels like a drag and leads him into a serious ethical lapse; what enlightenment he gains comes through painful experience and self-examination rather than clairvoyance. As he grapples with metaphysical mysteries, even dyed-in-the-wool skeptics should find his struggle compelling.

A vivid evocation of the conflict between reason and spirituality.

Pub Date: Oct. 8, 2018

ISBN: 978-1-62634-530-0

Page Count: 312

Publisher: Greenleaf Book Group Press

Review Posted Online: Sept. 7, 2018

Kirkus Reviews Issue: Oct. 15, 2018

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Next book

LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

Categories:
Close Quickview