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THE EXO PROJECT

It’s fine in pace and flow but disintegrates under scrutiny.

Can humans settle another planet before it’s too late?

Earth is slowly dying. To fund cancer treatment for his mother, currently in cryogenic stasis, 17-year-old Matthew volunteers to be cryogenically frozen and sent 100 light-years away to one of thousands of potentially habitable planets. There’s no return—he’ll message Earth the results, and if the planet’s unviable, he’ll take a suicide pill. On Gle’ah, Matthew’s destination planet, 17-year-old Kiva leads a pre-industrial, matriarchal society. Debut novelist DeYoung crams in multitudes of plot points—cross-universe, destined romance, politics and violence on Gle’ah, weapons of mass destruction, telepathy, magical healing, drugs, and a mass shooting. A multiperspective narrative approach gives readers broad information but contains only mild characterization; main characters, especially Matthew, read like place holders. Dunne, a middle-aged black woman on Matthew’s team, specializes in particle physics and medicine but goes largely unconsulted regarding the plot’s pivotal decision; instead, white teen Matthew makes the core decision alone. Kiva’s people are “exactly like humans in every way” except for their gray skin, resulting in a culture of not-quite-white people without characters of color. The scientific/religious explanations for phenomena on Gle’ah will remind readers of Star Wars’ midi-chlorians—and not in a good way. See Beth Revis’ Across the Universe (2011) for cryogenics and Phoebe North’s Starglass (2013) for romance destined across the stars.

It’s fine in pace and flow but disintegrates under scrutiny. (Science fiction. 13-16)

Pub Date: April 4, 2017

ISBN: 978-1-62979-610-9

Page Count: 455

Publisher: Boyds Mills

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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CLOCKWORK PRINCE

From the Infernal Devices series , Vol. 2

A purple page turner.

This sequel to Clockwork Angel (2010) pits gorgeous, attractively broken teens against a menacing evil.

There's betrayal, mayhem and clockwork monstrosities, and the Shadowhunters have only two weeks to discover—oh, who are we kidding? The plot is only surprisingly tasty icing on this cupcake of a melodramatic love triangle. Our heroes are Tessa, who may or may not be a warlock, and the beautiful Shadowhunter warrior boys who are moths to her forbidden flame. It's not always clear why Tessa prefers Will to his beloved (and only) friend Jem, the dying, silver-eyed, biracial sweetheart with the face of an angel. Jem, after all, is gentle and kind, her dearest confidante; Will is unpleasant to everyone around him. But poor, wretched Will—who "would have been pretty if he had not been so tall and so muscular"—has a deep, dark, thoroughly emo secret. His trauma puts all previous romantic difficulties to shame, from the Capulet/Montague feud all the way to Edward Cullen's desire to chomp on Bella Swan. Somehow there's room for an interesting steampunk mystery amid all this angst. The supporting characters (unusually well-developed for a love-triangle romance) include multiple compelling young women who show strength in myriad ways. So what if there are anachronisms, character inconsistencies and weird tonal slips? There's too much overwrought fun to care.

A purple page turner. (Fantasy. 13-16)

Pub Date: Dec. 6, 2011

ISBN: 978-1-4169-7588-5

Page Count: 528

Publisher: McElderry

Review Posted Online: Oct. 11, 2011

Kirkus Reviews Issue: Nov. 1, 2011

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I AM NOT STARFIRE

Equal parts entertaining and thought-provoking.

Sixteen-year-old Mandy considers herself the anti-Starfire: Unlike her scantily clad superhero mother, she doesn’t have superpowers, can’t fly, and doesn’t even own a bathing suit.

Mandy dyes her hair and dresses in all black to further call out how different they are. Mandy’s best friend, Lincoln, whose parents were born in Vietnam, insightfully summarizes this rift as being down to an intergenerational divide that occurs whether parents and children come from different countries or different planets. Mandy tries to figure out what kind of future she wants for herself as she struggles with teenage insecurities and bullying, her relationship with her mom, and her budding friendship (or is it something more?) with her new class project partner, Claire. Yoshitani’s vibrant and colorful stylized illustrations beautifully meld the various iterations of Starfire and the Titans with the live-action versions of those characters. Together with Tamaki’s punchy writing, this coming-of-age story of identity, family, friendship, and saving the world is skillfully brought to life in a quick but nuanced read. These layers are most strongly displayed as the story draws parallels between cultural differences between the generations as evidenced in how the characters address bullying, body positivity, fatphobia, fetishization and sexualization, and feminism. This title addresses many important concepts briefly, but well, with great pacing, bold art, and concise and snappy dialogue. The cast is broadly diverse in both primary and secondary characters.

Equal parts entertaining and thought-provoking. (Graphic fantasy. 14-16)

Pub Date: July 27, 2021

ISBN: 978-1-77950-126-4

Page Count: 184

Publisher: DC

Review Posted Online: Aug. 10, 2021

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