Next book

The Teenage Militia

While it lacks strong dialogue and graceful narration, this book still offers a fairly enjoyable tale about young...

In a Civil War novel, some adolescent Tennessee volunteers construct a fort.

George Leonard, age 14 at the tale’s start, is the only son of a wealthy plantation owner. Although the Leonards oppose slavery and use hired labor, they still back the Confederate cause. George’s father becomes a colonel for Tennessee’s army, while George and some other boys too young to officially fight decide—on what seems like a sudden whim—to build Fort Red Hawk. George suggests forming a militia (“Together, as a group, we can build a fort and fight off any Yankee invasion. It will work, if we fight together as one trained army”). Later, George, a self-declared first lieutenant, shelters children from a town ransacked by Yankees and thereby acquires three sister figures. They number among the novel’s notable female characters, along with George’s mother, with whom he is close, and Martha Kingston, a maid (and potential love interest). George meets Martha at an inn (“Though she was yet young, she was quite pleasant to look upon. Her hair was a pretty, thick brown. Her skin was of one who had worked under the sun, a soft tan”). These women help counterbalance the overweening male presence common to Civil War narratives. The appealing story, reasonably well plotted, offers climactic scenes in which the militia prepares to engage Union troops, and arranges a prisoner exchange at a Yankee encampment. But the action remains clumsily narrated, as in “The last drops of blood dripped from wounds in most any place of the bodies.” Moreover, the level of psychological reflection comes off as shallow: “Among all George’s mixed emotions, there was one of guilt for having killed another human.” And the novel delivers frequently stilted speech (“Speaking of Father, I wonder if they will soon return”) and inept approximations of African-American dialect (“Yows’sa, Mar’sa George, i’bee redee in fav minuts”). It appears Eryvine (Down the Path of Life: Volume 3, 2015, etc.) seeks to attract a young audience—“I minimize the horror, disgust, and misery of the war to make this book suitable for readers of all ages,” he writes in an opening letter. But talking down to readers dulls the volume’s potential power.

While it lacks strong dialogue and graceful narration, this book still offers a fairly enjoyable tale about young Confederate supporters.

Pub Date: July 8, 2015

ISBN: 978-1-5035-7847-0

Page Count: 268

Publisher: Xlibris

Review Posted Online: Jan. 12, 2016

Next book

WE WERE THE LUCKY ONES

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

Next book

MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:
Close Quickview