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FOLKS CALL ME APPLESEED JOHN

From Glass (Charles T. McBiddle, 1993, etc.), an amalgam of traditional stories about Johnny ``Appleseed'' Chapman, a charismatic figure with a real way with words. In a first-person narration, Johnny relates howupon the occasion of his half-brother Nathaniel's visithe had to canoe to Fort Pitt for provisions, but accidently floated past his destination and had to make his way back through snowy woods. His adventures with animals and Native Americans are fun enough, but even more entertaining is the way they're told, with a real old-time, storytelling flair, full of ten-dollar words, fancy figures of speech, and philosophical asides, all comically cobbled together. The same style is beautifully carried over into the rough but sturdy oil illustrationsGlass's most mature work yetin which messy marks and sloppy patches of color become well-defined figures by means of rigid outlines. The pictures depict large, sympathetic characters who cotton to clumsy postures; Johnny looks like an overgrown adolescent with bit feet, long fingers, and a face that expresses sheer good will. A detailed biography follows the story. Charming book, charming hero. (Picture book/folklore. 6-10)

Pub Date: Aug. 1, 1995

ISBN: 0-385-32045-0

Page Count: 48

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1995

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KEENA FORD AND THE FIELD TRIP MIX-UP

Keena Ford’s second-grade class is taking a field trip to the United States Capitol. This good-hearted girl works hard to behave, but her impulsive decisions have a way of backfiring, no matter how hard she tries to do the right thing. In this second book in a series, Keena cuts off one of her braids and later causes a congressman to fall down the stairs. The first-person journal format is a stretch—most second graders can barely write, let alone tell every detail of three days of her life. Children will wonder how Keena can cut one of her “two thick braids” all the way off by pretend-snipping in the air. They will be further confused because the cover art clearly shows Keena with a completely different hairdo on the field trip than the one described. Though a strong African-American heroine is most welcome in chapter books and Keena and her family are likable and realistic, this series needs more polish before Keena writes about her next month in school. (Fiction. 6-9)

Pub Date: July 1, 2009

ISBN: 978-0-8037-3264-3

Page Count: 112

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2009

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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