With his typically breezy illustrations, Glass puts a different spin on the story of the Wright brothers, recreating a childhood incident in the spirit of a folk tale. Told in Orville’s voice as a boy, he relates the time when their father brought home a whirligig and the “Big Bat” propelled the brothers’ interest into building their first flying machine. The telling and the art work go hand-in-hand, the narrative demonstrating both fondness and admiration for the two men and the sprightly pictures adding a humanizing touch. Glass makes a point to show the involvement of the whole family, especially Mrs. Wright and sister Kate. A one-page author’s note provides historical context and cites the sources from which he built his account. An inventive take-off on the boyhood lives of Willy and Orv, as they called each other, two curious and imaginative boys who became famous for launching aviation history. (Picture book/biography. 5-8)
Pub Date: Sept. 1, 2003
ISBN: 0-8234-1717-4
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2003
A quick but adventuresome paddle into a mysterious realm.
The ocean’s depths offer extra wonders to a child who is briefly left behind on a class trip.
In the wake of their Field Trip to the Moon (2019), a racially diverse group of students boards a submarine (yellow, but not that one) for a wordless journey to the ocean’s bottom. Donning pressure suits, the children follow their teacher past a swarm of bioluminescent squid, cluster around a black smoker, and pause at an old shipwreck before plodding back. One student, though, is too absorbed in taking pictures to catch the signal to depart and is soon alone amid ancient ruins—where a big, striped, friendly, finny creature who is more than willing to exchange selfies joins the child, but it hides away when the sub-bus swoops back into sight to pick up its stray. Though The Magic School Bus on the Ocean Floor (1994) carries a considerably richer informational load, in his easy-to-follow sequential panels Hare does accurately depict a spare assortment of benthic life and features, and he caps the outing with a labeled gallery of the errant student’s photos (including “Atlantis?” and “Pliosaur?”). The child is revealed at the end to be Black. Hare also adds cutaway views at the end of a diving suit and the sub. (This book was reviewed digitally with 10-by-19-inch double-page spreads viewed at 40% of actual size.)
A quick but adventuresome paddle into a mysterious realm. (Picture book. 6-8)Pub Date: Sept. 8, 2020
ISBN: 978-0-8234-4630-8
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
BOOK REVIEW
An evocative picture-book bildungsroman with equally atmospheric illustrations.
A found “faraway thing” becomes a turning point in the life of a boy.
“Lucian live[s] with his mother on a windswept shore.” His father has been absent from their lighthouse home for long enough that Lucian worries his real memories of him are fading. After a storm, Lucian combs the beach for what his father had called “faraway things”—objects tossed up by the sea—and finds a cutlass. Thrilled, he plays with it, sweeping and slashing the air. The next day dawns foggy, but when it lifts Lucian spies a stranded sailing ship. As he watches, a rowboat is lowered from the ship and moves toward him. The captain steps ashore, wearing a sheath that matches the cutlass. He tells Lucian the cutlass belongs to him, but in trade, the captain will let Lucian select anything from his treasures. Lucian reluctantly realizes the cutlass belongs to the captain and agrees. At the ship, the captain shows Lucian wonderful things and advises him to “choose wisely.” Lucian does. This bildungsroman’s timeless and slightly otherworldly feel is underscored by its illustrations’ muted, effective palette of earth, sea, and sky tones. Unusual perspectives—an ingenious choice for a muted palette—create visual stimulation, showing views from both above and below the horizon line. Satisfyingly, the endpapers allegorically start and finish the story. The captain has dark skin; Lucian and the others have light skin.
An evocative picture-book bildungsroman with equally atmospheric illustrations. (Picture book. 6-8)Pub Date: June 8, 2021
ISBN: 978-0-316-49219-5
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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